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X:7 T:The Blackbird [1] R:song air S:”The Black Bird,” Hibernia Collection (Boston: Elias Howe, 1860), p.22 M:2/4 L:1/8  K:Dmaj A|B2A>^G|A2(3ABc|d>cdA|G2FG|A2fd|cABG|F2D>D|D2z2||zA|defg|a2fa|gfga|g2{ag}fe|defg|agfe|f2d>d|defg|agfa|g2fe|fdcA|f2ed|cABG|FBAG|F2D>D|D2!D.C.!||
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Revision as of 15:20, 26 February 2022


Blackbird (1) (The)  Click on the tune title to see or modify Blackbird (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Blackbird (1) (The)
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 Theme code Index    667b6 5357b
 Also known as    Londubh (An), Once on a morning of sweet recreation, Bonny Lass of Aberdeen (The), Napoleon Crossing the Rhine
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece, Set Dance
 Key/Tonic of    D
 Accidental    1 flat
 Mode    Mixolydian
 Time signature    4/4, 2/4, 2/2
 History    IRELAND(Munster)
 Structure    AABB
 Editor/Compiler    Biography:O'Farrell
 Book/Manuscript title    Book:Pocket Companion vol. 2
 Tune and/or Page number    p. 132
 Year of publication/Date of MS    c. 1806
 Artist    Biography:Andy McGann, Biography:Joe Burke & Felix Dolan
 Title of recording    Tribute to Michael Coleman (A)
 Record label/Catalogue nr.    Shaskeen Records OS-360
 Year recorded    1966
 Media    
The Blackbird
Played by The Forge Band
Source: Soundcloud (https://soundcloud.com/the-forge-band/the-blackbird)
 Score   (1)   
The Blackbird





X:1 T:The Blackbird [1] R:set piece N:Dance by Keily, a Limerick dancing master S:Mike Rafferty Z:Lesl M:C| L:1/8 Q:1/2=60 K:Dmix d3A|:[M:C|] BGBd cABG|AGFG ABcA|d2de fdAF|GAGF D2 DE|[1 FEFG ABcA|d2de fdAF|[M:3/2] GAGF D2DA d3A:| [2 [M:C|] FEFG ABfe|d2de fdAF|[M:3/2] GAGF D2DA d3 e|| |:[M:C|] fede ffg2|abag fgaf|g2gf gbag|fagf d2 de| fede ffg2|abag fgaf|[M:3/2]g~g2f d2d>^c defg| [M:C|]abag fgaf|g2 ge fdeB|dcAG ABcd|ed (3EFG A4| ABAG FGAB|c2 ~e2 dcAF|[1[M:3/2]G~G2F D2 D>A d3e:|[2[M:3/2]G~G2F D2 D>A D4|]


X:2 T:Blackbird [1], The M:C L:1/8 R:Set Dance S:”By Daniel Kellaher, Clonough, Castleisland, Co. Kerry.” N:”Slightly imperfect. P.D. Reidy.” S:P.D. Reidy music manuscript collection, London, 1890’s (No. 3) N:”Professor” Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and “Walls N:of Limerick” ceili dances and wrote a treatise on dancing. N:Reidy's source, Daniel Kelleher, was variously said to have been N:from Castleisland, Sliabh Luachra region, County Kerry, or from N:the native-Irish speaking region of Achadh Bolg, Múscraigh, in N:County Cork. Reg Hall (2017) also found a reference to Kelleher N:as one of the soloists who accompanied step dancing exhibitions N:at Gaelic League events in London between 1897 and 1901. According N:to Hall, Kelleher was a young fiddle player active within the N:Gaelic League. His name is attached to thirteen tunes in Reidy’s collection. F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler’s Companion K:G (d/c/)|B2 (Bd) c2 (Bc)|A2 (AG) ABcA|d2 (de) dcAF|G2 (GF) D2 (DE)| F2G2A2 (fe)|dcde dcAF|GAGF DD D:|(de) f2d2f2g2|a2 (ag) f2 a2|g2 (gf) g2a2|gagf dAde|f2d2f2g2| a2 (ag) fgaf|gagf ddd (f/g/)|abag fgaf|gagf gf(ef)|dcAB c2 (de)| fefg a2 (FG)|ABAG FGAB|cBcA dcAF|GAGF DDD:|


X:3 T:Blackbird [1], The M:2/4 L:1/8 R:Set Dance S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 985 Z:AK/Fiddler's Companion K:D d=c|B2d2|=c2B2|ABAG|AB=cA|dcde|dcAF|GAGF| D2 DE|F2FG|A2 fe|dcde|dcAF|GAGF|D2D2|D2:| |:de|f2d2|f2g2|abag fgaf|g2 gf|gbaf|gagf|d2 de|fede|f2g2| abag|fgaf|gagf|d2d2|defg|abag|fgaf|gage|f2 ed|c2AB| c2 de|defg|a2 z2|A3G|FGAB|=c3e|d^cAF|GAGF|D2D2|D2:||


X:4 T:Blackbird [1], The M:2/4 L:1/8 R:"Fancy Dance" Q:=180 S:Teresa Halpin, “a dancer and fiddler from Limerick.” B:Carol G. Hardebeck – A Collection of Jigs and Reels vol. 2 (Dublin, 1921, p. 23) Z:AK/Fiddler’s Companion K:G d>c|:(B3d)|c2B2|~A>G A>G|A>B c>A|~d>^c d>e| d>=c A>F|G>A G>F|.D2 D>E|F2G2|A2 f>e|~d>^c d>e| d>=c A>F|G>A G>F|D2D2|1 D2 d>c:|2 D z d>e|| |:(f>e) (d>e)|f2 g2|a>b a>g|f>g a>f| g3-g/ f/|g2 a2|g2f2| d2 d>e|f>e d>e|f2 g2|a3- a/ g/|f>g a.f|g3- g/ f/| d2d2|d3- d/ e/|d>e f>g|a>b a>g|f>g a>f|g>f g>e| f2 e>d|c2 A>B|=c2d2|e>d e>g|a2 a>g|f>f e>B| =c3- c/e/|d>=c A>F|G>A G>F|D2D2 |1 Dz d>e:|2 D2||


X:5 T:Blackbird [1], The M:4/4 L:1/8 R:Air B:James Morrison - How to Play the Globe Accordion Irish B:Style (1931, No. 34, p. 27) Z:AK/Fiddler's Companion K:D A2|FDFAG2F2|(3EEE ED EFGE|(3AAA AB AGEC|DEDC A,4| (3CCC CD E2 cB|(3AAA AB AGEC|DEDC A,2A,2|[M:2/4]A,2:| |:[M:4/4]AB|cBAB c2d2|(3eee ed cdec|(3ddd dc dfec|dedc A2 AB| cBAB c2d2|(3eee ed cdec|dedc A2A2|[M:2/4] AB cd| [M:4/4]e2 ed cdec|d2 (3Bcd c2B2|AGED EFGA|BA (3Bcd e4| (3EEE ED CA,CE|(3AAA AB AGEC|DEDC A,2A,2|[M:2/4]A,2:|]


X:6 T:Blackbird [1], The T:An Londubh R:slow air M: Z:Transcribed by henrik.norbeck@mailbox.swipnet.se L:1/8 Q:1/4=160 K:Dmix d2{ed}c2|:B6{cB}AB c6{dc}BG A8{B}A/G/A/B/c/A/ d4e>dc A4{BA}F2 G6AB A4{BA}F2 D8E2 F6GA f6{gf}e2 d4e2fd A6{BA}F2 G6AB A4{BA}F2 |1 D12 GA :|2 D12|| |:de f6{gf}e d2ef4g a6{ba}g f/g/a/f/ g3ab2 a6{ba}f2 d8eg| f6{gf}ede f2g a6{ba}g fgaf g4f2 d8efg| a6{ba}g fgaf g6{ag}e2 f6e{a} dcAB c4B/A/B/c/d/e/f/g/b/ a8| A6{BA}GE F6{A}GE c4{d}cBc dcA6{BA}F2 G6AB A4{BA}F2 D12:||


X:7 T:The Blackbird [1] R:song air S:”The Black Bird,” Hibernia Collection (Boston: Elias Howe, 1860), p.22 M:2/4 L:1/8 K:Dmaj A|B2A>^G|A2(3ABc|d>cdA|G2FG|A2fd|cABG|F2D>D|D2z2||zA|defg|a2fa|gfga|g2{ag}fe|defg|agfe|f2d>d|defg|agfa|g2fe|fdcA|f2ed|cABG|FBAG|F2D>D|D2!D.C.!||