Annotation:Tyrolese Waltz: Difference between revisions

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{{TuneAnnotation
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|f_annotation='''TYROLESE WALTZ.''' English, Waltz (3/4 time). England, Shropshire. F Major (Ashman/Moore): D Major (Kennedy). Standard tuning (fiddle). AABB. The tune appears in '''Hodsoll’s Collection of Popular Dances No. 24''', an undated manuscript of tunes with Napoleonic-era titles and country dance directions. William Gardiner, publisher of sacred melodies by Haydn, Mozart and Beethoven early in the 19th century, complained that "the nonconformists...have adapted trivial and unworthy tunes such as 'The Tyrolese Waltz' to sacred texts."
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The Tyrol is the alpine area of Austria, a country that was an ally of England against Napoleon, a fact that may account for the appearance of the tune in period country dance collections.   
|f_source_for_notated_version=a c. 1837-1840 MS by Shropshire musician John Moore [Ashman].
|f_printed_sources=Ashman ('''The Ironbridge Hornpipe'''), 1991; No. 69b, p. 28. Kennedy ('''Fiddler’s Tune-Book: Slip Jigs and Waltzes'''), 1999; No. 184, p. 49.
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Revision as of 04:42, 7 March 2022


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TYROLESE WALTZ. English, Waltz (3/4 time). England, Shropshire. F Major (Ashman/Moore): D Major (Kennedy). Standard tuning (fiddle). AABB. The tune appears in Hodsoll’s Collection of Popular Dances No. 24, an undated manuscript of tunes with Napoleonic-era titles and country dance directions. William Gardiner, publisher of sacred melodies by Haydn, Mozart and Beethoven early in the 19th century, complained that "the nonconformists...have adapted trivial and unworthy tunes such as 'The Tyrolese Waltz' to sacred texts."

The Tyrol is the alpine area of Austria, a country that was an ally of England against Napoleon, a fact that may account for the appearance of the tune in period country dance collections.


Additional notes
Source for notated version : - a c. 1837-1840 MS by Shropshire musician John Moore [Ashman].

Printed sources : - Ashman (The Ironbridge Hornpipe), 1991; No. 69b, p. 28. Kennedy (Fiddler’s Tune-Book: Slip Jigs and Waltzes), 1999; No. 184, p. 49.






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