Annotation:Sailor's Delight (2): Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Sailor's_Delight_(2) > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Sailor's_Delight_(2) > | ||
|f_annotation='''SAILOR'S DELIGHT [2].''' English, Triple Hornpipe (3/2 time). D Mixolydian. Standard tuning (fiddle). ABC. "Sailor's Delight [2]" is contained in the 1789-1841 music manuscripts of the Winder family, Lancashire. John Offord (1985) notes the musical relationship to "[[Altrincham Round]]," but opines that the Winder version seems an awkward attempt to | |f_annotation='''SAILOR'S DELIGHT [2].''' English, Triple Hornpipe (3/2 time). D Mixolydian. Standard tuning (fiddle). ABC. "Sailor's Delight [2]" is contained in the 1789-1841 music manuscripts of the Winder family, Lancashire. John Offord (1985) notes the musical relationship to "[[Altrincham Round]]," but opines that the Winder version seems an awkward attempt to chivy a modal tune in the direction of a major mode. | ||
|f_source_for_notated_version=Winder family manuscripts [Offord]. | |f_source_for_notated_version=Winder family manuscripts [Offord]. | ||
|f_printed_sources=Offord ('''John of the Green: Ye Cheshire Way'''), 1985; p. 67. | |f_printed_sources=Offord ('''John of the Green: Ye Cheshire Way'''), 1985; p. 67. | ||
Revision as of 13:43, 20 April 2022
X: 1 T:Sayler's Delight [2]. JaW.178 M:3/2 L:1/8 Q:1/2=100 C:"..a Hornpipe" S:James Winder Ms, Lancashire, 1835-41 R:.Triple H'pipe O:England A:Wyresdale,Lancashire Z:vmp.Chris Partington, Aug 2004 K:F F2f2(efge)f2cB|(ABcA) F2B2 (ABcA)|G2f2e2dcd4|D2G2G2B2ABcA:| |:a2gf (efge)f2cB|(ABcA)F2B2(ABcA)|a2gf (efge)d4|D2G2G2B2(ABcA):| |:B2dB (ABcA)G4|f2gf f2ed (ABcA)|B2dB (ABcA)G4|D2G2G2B2(ABcA):|
SAILOR'S DELIGHT [2]. English, Triple Hornpipe (3/2 time). D Mixolydian. Standard tuning (fiddle). ABC. "Sailor's Delight [2]" is contained in the 1789-1841 music manuscripts of the Winder family, Lancashire. John Offord (1985) notes the musical relationship to "Altrincham Round," but opines that the Winder version seems an awkward attempt to chivy a modal tune in the direction of a major mode.
