Annotation:Lady Susan Stewart's Reel: Difference between revisions

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{{TuneAnnotation
{{TuneAnnotation
|f_annotation='''LADY SUSAN STEWART'S REEL.''' AKA and see "[[Had the Lass Till I Win at Her]]," "[[Haud the Lass Till I Come at Her]]," "[[Hold the Bonny Lass]]," "[[Hod the Lass, Hod the Lass While I Run at Her]]," "[[Ha'd the Lass Till I Win at Her]]," "[[Lads of Boot]]." Scottish, Reel (cut time). A Dorian. Standard tuning (fiddle). AB. The reel was published under several titles in the London in the 1750's. First, it was printed by John Johnson (1750) as "[[Lads of Boot]]" in his '''Choice Collection of Country Dances vol. 5'''.  "Lady Susan Stewart's Reel" was published in London in the mid-1750's by John Walsh in one of his several '''Caledonian Country Dances''' volumes.  Toward the end of the decade it was also published in London by David Rutherford in his '''Compleat Collection of 200 of the Most Celebrated Country Dances vol. 2''', albeit under the title "Had the Lass till I win at her," a title that appears in other collections and manuscripts with several variations in spelling.   
|f_annotation='''LADY SUSAN STEWART'S REEL.''' AKA and see "[[Had the Lass Till I Win at Her]]," "[[Haud the Lass Till I Come at Her]]," "[[Hold the Bonny Lass]]," "[[Hod the Lass, Hod the Lass While I Run at Her]]," "[[Ha'd the Lass Till I Win at Her]]," "[[Lads of Boot]]." Scottish, Reel (cut time). A Dorian. Standard tuning (fiddle). AB. The reel was published under several titles in the London in the 1750's by leading music publishers of the time. First, it was printed by John Johnson (1750) as "[[Lads of Boot]]" in his '''Choice Collection of 200 Favourite Country Dances vol. 5'''.  Towards the middle of the decade it appeared as "Lady Susan Stewart's Reel" in one of sevearl '''Caledonian Country Dances''' volumes published by John WalshAt the end of the decade, in 1759, publisher David Rutherford included the reel in his '''Compleat Collection of 200 of the Most Celebrated Country Dances vol. 2''', albeit under the title "Had the Lass till I win at her" ("[[Haud the Lass Till I Come at Her]]"), a title that appears in other collections and manuscripts with several variations in spelling.   
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The title may refer to Lady Susanna Stewart (1742-1805), the daughter of Alexander Stewart, 6th Earl of Galloway, although she would have been quite young to have a tune dedicated to her. Susanna was also known as Lady Susan Stewart, and married Granville Leveson-Gower in 1768. In 1786 she became the Marchioness of Stafford when her husband was raised.  He was a career diplomat and teh British Ambassador to Russia for a time.  The family was also involved in the politics and society of Stafford.  It is thought the Malcolm MacDonald's 1788 "[[Lady Susan Stewart's Strathspey]]" refers to Lady Susanna's niece, also named Lady Susan Stewart.   
|f_printed_sources=John Walsh ('''Caledonian Country Dances, Vol. II'''), Part III or IV, c. 1754.
|f_printed_sources=John Walsh ('''Caledonian Country Dances, Vol. II'''), Part III or IV, c. 1754.
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}}

Revision as of 01:12, 1 May 2022



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LADY SUSAN STEWART'S REEL. AKA and see "Had the Lass Till I Win at Her," "Haud the Lass Till I Come at Her," "Hold the Bonny Lass," "Hod the Lass, Hod the Lass While I Run at Her," "Ha'd the Lass Till I Win at Her," "Lads of Boot." Scottish, Reel (cut time). A Dorian. Standard tuning (fiddle). AB. The reel was published under several titles in the London in the 1750's by leading music publishers of the time. First, it was printed by John Johnson (1750) as "Lads of Boot" in his Choice Collection of 200 Favourite Country Dances vol. 5. Towards the middle of the decade it appeared as "Lady Susan Stewart's Reel" in one of sevearl Caledonian Country Dances volumes published by John Walsh. At the end of the decade, in 1759, publisher David Rutherford included the reel in his Compleat Collection of 200 of the Most Celebrated Country Dances vol. 2, albeit under the title "Had the Lass till I win at her" ("Haud the Lass Till I Come at Her"), a title that appears in other collections and manuscripts with several variations in spelling.

The title may refer to Lady Susanna Stewart (1742-1805), the daughter of Alexander Stewart, 6th Earl of Galloway, although she would have been quite young to have a tune dedicated to her. Susanna was also known as Lady Susan Stewart, and married Granville Leveson-Gower in 1768. In 1786 she became the Marchioness of Stafford when her husband was raised. He was a career diplomat and teh British Ambassador to Russia for a time. The family was also involved in the politics and society of Stafford. It is thought the Malcolm MacDonald's 1788 "Lady Susan Stewart's Strathspey" refers to Lady Susanna's niece, also named Lady Susan Stewart.


Additional notes



Printed sources : - John Walsh (Caledonian Country Dances, Vol. II), Part III or IV, c. 1754.






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