Annotation:New Policeman (5) (The): Difference between revisions

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{{TuneAnnotation
{{TuneAnnotation
|f_annotation='''NEW POLICEMAN [5], THE.''' Irish, Reel (whole or cut time). A Major. Standard tuning (fiddle). AB. "The New Policeman [5]" is contained in the music manuscript collection of fiddler and curate [[biography:Rev. Luke Donnellan]] (1878-1952) of the Oriel region, south Ulster.
|f_annotation='''NEW POLICEMAN [5], THE.''' Irish, Reel (whole or cut time). A Major. Standard tuning (fiddle). AB. "The New Policeman [5]" is contained in the music manuscript collection of fiddler and curate [[biography:Rev. Luke Donnellan]] (1878-1952) of the Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref>.
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor].
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor].
|f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 90, p. 61.
|f_printed_sources=Gerry O'Connor ('''The Rose in the Gap'''), 2018; No. 90, p. 61.
}}
}}

Revision as of 13:06, 4 June 2022



X:1 T:New Policeman [5], The M:C| L:1/8 R:Reel B:Rev. Luke Donnellan music manuscript collection (c. 1909, Oriel B:region, south Ulster) K:A af|eA (3cBA eAfA|eAce fedc|Bc...



NEW POLICEMAN [5], THE. Irish, Reel (whole or cut time). A Major. Standard tuning (fiddle). AB. "The New Policeman [5]" is contained in the music manuscript collection of fiddler and curate biography:Rev. Luke Donnellan (1878-1952) of the Oriel region, south Ulster[1].


Additional notes
Source for notated version : - Rev. Luke Donnellan music manuscript collection [O'Connor].

Printed sources : - Gerry O'Connor (The Rose in the Gap), 2018; No. 90, p. 61.






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  1. Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.