Annotation:Traynor's Rambles: Difference between revisions
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|f_annotation=TRAYNOR'S RAMBLES. Irish, Reel (cut time). G Major. Standard tuning (fiddle). AB. | |f_annotation='''TRAYNOR'S RAMBLES.''' Irish, Reel (cut time). G Major. Standard tuning (fiddle). AB. "Traynor's Rambles" is contained in the music manuscript collection of curate and fiddler [[biography:Rev. Luke Donnellan]] (1878-1952), Oriel region, south Ulster<ref>Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler. </ref> | ||
|f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor]. | |f_source_for_notated_version=Rev. Luke Donnellan music manuscript collection [O'Connor]. | ||
|f_printed_sources=Rev. Luke Donnellan, “Oriel Songs and Dances” ('''Journal of the County Louth Archeological Society, vol. II'''), No. 2, 1909; No. | |f_printed_sources=Rev. Luke Donnellan, “Oriel Songs and Dances” ('''Journal of the County Louth Archeological Society, vol. II'''), No. 2, 1909; No. 27. O’Connor ('''The Rose in the Gap'''), 2018; No. 201. | ||
}} | }} | ||
Revision as of 00:22, 20 June 2022
X:1 T:Traynor's Rambles M:C L:1/8 R:Reel S:Rev. Luke Donnellan – “Oriel Songs and Dances", S:Journal of the County Louth Archaeological Society (vol. II, No. 2, 1909; No. 27) Z:AK/Fiddler’s Companion K:G eBB/B/B eBdB|(3ABA GA BAAB|eBB/B/B eBdB|(3ABA GA BGGB:|| g2 fg (3efg df|g2 fg eaaf|g2 fg (3efg dB|(3ABA GA BGGB| g2 fg (3efg df|g2 fg eaag|bgaf gedB|(3ABA GA BG G2||
TRAYNOR'S RAMBLES. Irish, Reel (cut time). G Major. Standard tuning (fiddle). AB. "Traynor's Rambles" is contained in the music manuscript collection of curate and fiddler biography:Rev. Luke Donnellan (1878-1952), Oriel region, south Ulster[1]
- ↑ Donnellan researcher Gerry O'Connor came to believe the ms. is not the work of the curate but rather was originally compiled by an unknown but able fiddler over the course of a playing lifetime, probably in the late 19th century. The ms. later came into the possession of Donnellan, who was also a fiddler.