White Leaf (The): Difference between revisions
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Revision as of 04:17, 23 July 2022
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X:1 T:White Leaf, The M:4/4 L:1/8 R:Reel S:Francis Reynolds MSS, c. 1885 (Gaigue, Ballinamuck, Co. Longford) Z:Transcribed by Conor Ward N:Ward remarks: "Note that the bowing style used by Reynolds throughout N:the tune was known locally as 'slur and cut' - for a group of four N:quavers the first two notes are slurred the second two are cut." K:A af|eA A/A/A (eA)fA|eA A/A/A (fe)dc|(Bc)de (fe)dc|(Bc)de f2 af| eA A/A/A (eA)fA|eA A/A/A (fe)dc|(Bc)de (fg)af|edc(B A2):| |:fg|aA A/A/A (aA)fA|aA A/A/A (ag)fg|bB B/B/B (bB)fB|bB B/B/B (ba)fg| aA A/A/A (aA)fA|aA A/A/A (fe)dc|(Bc)de (fg)af|(ed)cB A2:|]
X:1
T:White Leaf, The
M:C|
L:1/8
R:Reel
S:Murphy manuscript
K:A
E2|A2 (3cBA eAcA|e^def e=dcA|Bcde fdde|f2 bg afedc|
A2 (3cBA eAcA|e^def e=dcB|...
X:1
T:White Leaf, The
M:4/4
L:1/8
B:Bulmer & Sharpley, book 4, 27
K:A
(3EFG|A2 cA eAcA|(3Bcd ef edcA|Bcde fdde|fdad fdcB|
A2cA eAcA|(3Bcd ef edcA|Bcde fgaf|edcB A2:|
|:ce|eA A2 cAce|a2 ga fece|bf f2 fece|bffe ^defg|
aA A2 cAce|a2 ga faec|Bcde fgaf|edcB A2:|]