Annotation:Watson's Hornpipe: Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Watson's_Hornpipe > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Watson's_Hornpipe > | ||
|f_annotation='''WATSON’S HORNPIPE.''' English, Hornpipe. D Major. Standard tuning (fiddle). AABB. The first strain is shared with “[[Miss Sackville’s Fancy]]”, printed in Glasgow by James Aird in 1785. The melody with a different second strain appears as an untitled hornpipe in the George Henry Watson (Swanton Abbott, Norfolk) music manuscript collection, c. 1850-80 (hence the name "Watson's Hornpipe"). | |f_annotation='''WATSON’S HORNPIPE.''' English, Hornpipe. D Major. Standard tuning (fiddle). AABB. The first strain is shared with “[[Miss Sackville’s Fancy]]”, printed in Glasgow by James Aird in 1785. The melody with a different second strain appears as an untitled hornpipe in the George Henry Watson (Swanton Abbott, Norfolk) music manuscript collection, c. 1850-80 (hence the name "Watson's Hornpipe"). Compare also with "[[Lishman's Second Hornpipe]]" which may have had a common ancestor, and with the first strain of "[[Saturday Night (6)]]. | ||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources=Callaghan ('''Hardcore English'''), 2007; p. 26. | |f_printed_sources=Callaghan ('''Hardcore English'''), 2007; p. 26. | ||
Revision as of 22:26, 11 December 2022
X: 1 T:Watson's Hornpipe. GHW.065 T:Hornpipe. GHW.065 M:2/4 L:1/8 Q:1/2=90 C:Untitled in MS S:George H.Watson,MS,Swanton Abbott,Norfolk,c1880 R:.Hornpipe O:England A:Norfolk Z:vmp.Taz Tarry K:D AGFG A2 d2|BGde dcBA|defe B2 (cd)|efge dcBA|! AGFG A2 d2|BGde dcBA|defe B2 g2|fdec d4:|! |:f2 (df) agfe|e2 (ce) aedc|defd B2 cd| efge dcBA|! AGFG A2 d2|BGde dcBA|defe B2 g2|fdec d4:|]
WATSON’S HORNPIPE. English, Hornpipe. D Major. Standard tuning (fiddle). AABB. The first strain is shared with “Miss Sackville’s Fancy”, printed in Glasgow by James Aird in 1785. The melody with a different second strain appears as an untitled hornpipe in the George Henry Watson (Swanton Abbott, Norfolk) music manuscript collection, c. 1850-80 (hence the name "Watson's Hornpipe"). Compare also with "Lishman's Second Hornpipe" which may have had a common ancestor, and with the first strain of "Saturday Night (6).
