Peter Street (1)

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X:1 T:Untitled T:Peter Street [1] M:2/4 L:1/8 R:Reel S:Seth Johnson – Woburn Fife Manuscript (c. 1807-40?, p. 44) Z:AK/Fiddler’s Companion K:G G (3B/A/G/ d/G/ (3B/A/G/|d/G/ g/G/ f/G/ e/G/|G (3B/A/G/ d/G/ (3B/A/G/|F/D/A/D/ B/D/A/D/| G (3B/A/G/ d/G/ (3B/A/G/|d/G/ g/G/ f/G/ e/G/|d/^c/d/B/ d/g/d/B/|A/G/A/B/ G2:| |:D (3F/E/D/ A/D/ (3F/E/D/|c/D/B/D/ A/D/G/D/|G (3B/A/G/ d/G/ (3B/A/G/|d/G/g/G/ f/G/e/G/| d/^c/d/B/ g/f/g/e/|d/^c/d/B/ g/f/g/e/|d/B/g/f/ e/d/c/B/|A/G/F/E/ D/E/F/D/:|

X:1 T:Sweet Peter Street T:Peter Street [1] M:C L:1/8 R:Reel Q:"Allegro Spiritoso" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 189, p. 98) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:D d2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d .c'.d.b.d|.a.d{f}ed .a.d.b.d|cAeA fAeA| D2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d .c'.d.b.d|(aba).f (ad').a.f|{f}(ed)(ef) d2d2:|| .A2 .c.A. eA{c}(BA)|.e.A.g.A. f.A.e.A|.d2 {f}(ed) ad{f}(ed)|ad d'd c'dbd| (ab).a.f (d'c').d'.b|(ab).a.f (d'c').c'.b|(a/d').c'.b (ag).f.e|(dc).B.A ^(GA).B.c| d2 {f}(ed) .a.f{f}(ed)|.a.d.d'.d .c'.d.b.d|.a.d{f}(ed) .a.d.bd|cAeA fAeA| d2 {f}(ed) .a.d{f}(ed)|.a.d.d'.d c'..d.b.d|(ab)af (ad').a.f|{f}(ed) (ef) d2d2||

X:1 T:Peter Street [1] M:4/4 L:1/8 R:Reel Q:"Presto" S:M.E. Eames music manuscript book, frontispiece dated Aug. 22nd, 1859 (p. 11) S: http://archive.org/details/MEEamesBook N:Eames was perhaps from Philadelphia Z:AK/Fiddler’s Companion K:G D|OG2 (3BAG dGBG|dGgG fGeG|G2 (3BAG dGBG|ADcD BDAD| G2 (3BAG dGBG|dGgG fGeG|dedB dgdB|AGAB A2 z!Fine!|| D|D2 (3FED ADFD|ADcD BDAD|G2 (3BAG dGBG|dGgG fGeG| d2 (Bd) gfge|d2 (Bd) gfge|dBgf edcB|AGFE DEFD!D.C.!O||

X:1 T:Peter Street [1] M:C L:1/8 R:Reel Q:"Lively" B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 75, p. 32) Z:AK/Fiddler’s Companion K:A A2 (3cBA eA (3cBA|eAaA gAfA|eA (3cBA eAfA|BEcE dEBE| A2 (3cBA eA (3cBA|eAaA gAfA|efec eaec|BABc A2z2|| E2 (3GFE BE (3GFE|BEdE cEBE|A2 (3cBA eA (3cBA|eAaA gAfA| efec agaf|efec agaf|ecag fedc|BAGF EFGE||

X:1 T:Peter Street Dance M:C| L:1/8 R:Reel S:The mid-19th cent. music manuscript collection of James Goodman (County Cork, p. 106) F:http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=109&z=670.7736%2C850.3037%2C8849.1449%2C5360 F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie Z:AK/Fiddler’s Companion K:G G2 (BG) (dc)(BG)|Gz gz fz ez|(de)(dB) (de)(dB)|(AG)(FG) (Ac)(BA)| G2 BG (dcBA)|gz gz fz ez|(de)(dB) (de)(dB)|(AG)(AB) G2z2|| D2 (FD) (AG)(FE)|Dz cz Bz Az|G2 BG (dc)(BA)|Gz gz fz ez| (de)(dB) (gf)(ge)|(de)(dB) (gf)(ge)|d2 (gf) (ed)(cB)|(Ac) (FA) (GFED)||

X:1 T:Peter Street Dance M:C L:1/8 B:James Goodman music manuscript collection, vol. 4 (mid-19th century, p. 48) B: http://goodman.itma.ie/volume-four#?c=0&m=0&s=0&cv=51&z=-1113.2721%2C367.1608%2C9412.445%2C3784.7937 Z:AK/Fiddler’s Companion K:Bb F|B2 d/c/B fBdB|fBgB aBgB|fB d/c/B fBdB|cFdF eFcF| B2 d/c/B fBdB|fBbB aBgB|fgfd fbfd|cBcd B2:| |:B|A2 A/G/F cFAF|cFeF dFcF|d2 d/c/B fBdB|fBgB fBdB| fB d/c/B bBgB|fB d/c/B bBgB|fBgf edcB|ABcB AFGA| B2 d/c/B fBdB|fBbB aBgB|fB d/c/B fBdB|cFdF eFcF| B2 d/c/B bBgB|fB d/c/B bBgB|fBgf edcB|ABcB AFGA| B2 d/c/B fBdB|fBbB aBgB|fB d/c/B fBdB|cFdF eFcF| B2 d/c/B fBdB|fBbB aBgB|fgfd fbfd|{d}cBcd B3||

X:1 T:Peter Street [1] M:C| L:1/8 R:Reel N:Reidy had two sharps as key signature. N:the seventh measure of the 2nd strain (a repeat of the sixth meaaure) N:was missing in the MS. S:P.D. Reidy music manuscript collection, London, 1890’s (No. 27) N:”Professor” Patrick Reidy of Castleisland was a dancing N:master engaged by the Gaelic League in London to teach N:dance classes. He introduced “Siege of Ennis” and “Walls N:of Limerick” ceili dances and wrote a treatise on dancing. F: http://rarebooks.library.nd.edu/digital/bookreader/MSE_1434-1/#page/1/mode/1up Z:AK/Fiddler’s Companion K:A e/d/c/B/|A2 (3cBA eAcA|eAaA fAfA|eA (3cBA eA (3cBA| BEcE dEcE| A2 (3cBA eAcA|eAaA gAfA|efec eaec|1 BABc A2 e/d/c/B/:|2 BABc A2|| B/A/G/F/|E2 (3GFE BEcE|BedE cEBE|A2 (3cBA e2 (3cBA|eAaA gAfA| (ef)ec (ag)af|(ef)ed (ag)af|egag fedc|BAGF EdcB| A2 (3cBA eAcA|eAaA gAfA|eA (3cBA eA (3cBA|BEcE dEcE| A2 (3cBA eAcA|eAaA gAfA|efec eaec|BABc A2||

X:1 T:Peter Street [1] M:C| L:1/8 R:Reel K:A A2 (3cBA eA (3cBA|eA aA gA fA|eA (3cBA eA fA|BE dE cE BE| A2 (3cBA eA (3cBA|eA aA gA fA|ef ec ea ec|BA Bc A4:| |:E2 (3GFE BE (3GFE|BE dE cE BE|A2 (3cBA eA (3cBA|eA aA gA fA| e^d ec ag af|e^d ec ag af|ec ag fe dc|BA GF EF GE:|]

X:1 T:Peter Street Dance (fragment) M:C L:1/8 R:Reel B:James Goodman music manuscript collection, vol. 5 (mid-19th century, p. 26, No. 37) B: http://goodman.itma.ie/volume-five#?c=0&m=0&s=0&cv=29&z=-B:800.3727%2C4152.0898%2C8679.2651%2C3784.7937 N:Canon James Goodman (1828-1896) was a Church of Ireland clergyman, N:uilleann piper and a collector of Irish Music and songs. Z:AK/Fiddler’s Companion K:G d|G2B2 (dc)(BA)|G2g2f2e2|dBGB dBGB|AGFG ABcA|

X:1 T:Peter Street Dance T:Peter Street [1] M:C L:1/8 R:Reel B:Stephen Grier music manuscript collection (1883, Book 2, No. 1) N:Grier (c. 1824-1894) was a fiddler and uilleann piper originally N:from north Longford, but who moved around 1852 to Newpark, N:Bohey, Gortletteragh, south Leitrim. K:A A2 cB/A/ eA cB/A/|eAaA gAfA|eA cB/A/ eA cB/A/|GF/E/ BE cEBE| A2 cB/A/ eA cB/A/|eAaA gAfA|efec efec|BABc AA/A/ A2|| E2 GF/E/ BE GF/E/|BEdE cEBE|A2 cB/A/ eA cB/A/|eAaA gAfA| efec a2 af|efec a2 af|ef/g/ ag fedc|BAGF EFGE!D.C.!||