Annotation:Set américain 2ième partie (Duguay): Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Set_américain_2ième_partie_(Duguay) > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Set_américain_2ième_partie_(Duguay) > | ||
|f_annotation='''SET AMÉRICAIN 2ÈME PARTIE.''' AKA and see "[[Breakdown de Neufchâtel]]," "[[Clog en Fa (Boucher)]]," "[[Reel St. Jean]]," "[[Remontée au chantier (La)]]," "[[Sautillante (La)]]," "[[Virginia Hornpipe (1)]]." French-Canadian, Reel (cut or 2/4 time). D Major ('A' part) & B Minor ('B' part). Standard tuning (fiddle). AABB. This is the tune that is popular in contra-dance and Quebecois sessions with the paired-down title "Set américain." It was recorded in 1945 by Quebec City accordion player [[biography:Théodore Duguay]] (1904-1950), and was one of only a couple of recordings he made. | |f_annotation='''SET AMÉRICAIN 2ÈME PARTIE.''' AKA and see "[[Breakdown de Neufchâtel]]," "[[Clog en Fa (Boucher)]]," "[[Fancy Clog Hornpipe]]," "[[Reel St. Jean]]," "[[Remontée au chantier (La)]]," "[[Sautillante (La)]]," "[[Virginia Hornpipe (1)]]." French-Canadian, Reel (cut or 2/4 time). D Major ('A' part) & B Minor ('B' part). Standard tuning (fiddle). AABB. This is the tune that is popular in contra-dance and Quebecois sessions with the paired-down title "Set américain." It was recorded in 1945 by Quebec City accordion player [[biography:Théodore Duguay]] (1904-1950), and was one of only a couple of recordings he made. | ||
[[File:Duguay.jpg|400px|thumb|left|Théodore Duguay]]<br> A version of the melody can be found in J.A. Boucher's '''Le Répertoire du Violoneux'''[https://leviolondejos.wiki/images/9/9a/Le_Répertoire_du_Violoneux_de_J-A_Boucher_(réédition_2018_par_Jean_Duval).pdf] (Montreal, 1933, No. 7) under the title "[[Clog en Fa (Boucher)]]." Boucher's version is set in dotted clog/hornpipe rhythm, and researcher Jean Duval notes that there is every indication that the tune was originally played in Quebec in the keys of F Major/D Minor, as in Boucher's collection. This was also the key employed by Montreal fiddler [[biography:Isidore_Soucy]] who recorded a 'crooked' or irregular version of the melody in 1927 under the title "[[Sautillante (La)]]" (Starr 15338a). | [[File:Duguay.jpg|400px|thumb|left|Théodore Duguay]]<br> A version of the melody can be found in J.A. Boucher's '''Le Répertoire du Violoneux'''[https://leviolondejos.wiki/images/9/9a/Le_Répertoire_du_Violoneux_de_J-A_Boucher_(réédition_2018_par_Jean_Duval).pdf] (Montreal, 1933, No. 7) under the title "[[Clog en Fa (Boucher)]]." Boucher's version is set in dotted clog/hornpipe rhythm, and researcher Jean Duval notes that there is every indication that the tune was originally played in Quebec in the keys of F Major/D Minor, as in Boucher's collection. This was also the key employed by Montreal fiddler [[biography:Isidore_Soucy]] who recorded a 'crooked' or irregular version of the melody in 1927 under the title "[[Sautillante (La)]]" (Starr 15338a). | ||
Revision as of 04:15, 10 October 2022
X:1 T:Set américain 2ième partie (Duguay) M:2/4 L:1/8 R:Reel C:Théodore Duguay (1904-1950, Quebec City) S:Pascal Gemme K:D (3A/B/c/|:d/A/F/A/ D/A/F/A/|E/A/F/A/ D/A/B/c/|d/A/F/A/ D/A/F/A/|e/d/e/f/ e/A/B/c/| d/A/F/A/ D/A/F/A/|E/A/F/A/ D(3A/B/c/|d/c/d/f/ e/A/B/c/|1 d/f/e/c/ d(3A/B/c/:|2 d/f/e/c/ dc|| |:B>c d/c/d/e/|ff/g/ f/e/d/c/|B/A/B/c/ d/c/B/A/|G/F/G/A/ G/G/F| BB/c/ d/c/d/e/|ff/g/ f/e/d/c/|B/A/B/c/ d/c/B/A/|1 B/b/f/d/ BF:|2 B/b/f/d/ B(3A/B/c/||
SET AMÉRICAIN 2ÈME PARTIE. AKA and see "Breakdown de Neufchâtel," "Clog en Fa (Boucher)," "Fancy Clog Hornpipe," "Reel St. Jean," "Remontée au chantier (La)," "Sautillante (La)," "Virginia Hornpipe (1)." French-Canadian, Reel (cut or 2/4 time). D Major ('A' part) & B Minor ('B' part). Standard tuning (fiddle). AABB. This is the tune that is popular in contra-dance and Quebecois sessions with the paired-down title "Set américain." It was recorded in 1945 by Quebec City accordion player biography:Théodore Duguay (1904-1950), and was one of only a couple of recordings he made.
A version of the melody can be found in J.A. Boucher's Le Répertoire du Violoneux[1] (Montreal, 1933, No. 7) under the title "Clog en Fa (Boucher)." Boucher's version is set in dotted clog/hornpipe rhythm, and researcher Jean Duval notes that there is every indication that the tune was originally played in Quebec in the keys of F Major/D Minor, as in Boucher's collection. This was also the key employed by Montreal fiddler biography:Isidore_Soucy who recorded a 'crooked' or irregular version of the melody in 1927 under the title "Sautillante (La)" (Starr 15338a).
