Maid in Bedlam: Difference between revisions
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g>fga {a}g>f {f}e>d|ed{d}cB {^d}e2 (3def|gf{f}e>d e>f!fermata!g {ab} {efgf agf}e|(d<B)TA>B {A}G2z|| | g>fga {a}g>f {f}e>d|ed{d}cB {^d}e2 (3def|gf{f}e>d e>f!fermata!g {ab} {efgf agf}e|(d<B)TA>B {A}G2z|| | ||
<section end=abc /> | <section end=abc /> | ||
<section begin=X1 /> | |||
X:1 | |||
T:I heard a maid in Bedlam making sore compliant | |||
M:C| | |||
L:1/8 | |||
R:Air | |||
N:Obtained by Goodman from the music manuscript collection of John Edward Pigot (1822-1871), | |||
N:who had copied them from the William Forde ms. | |||
B:James Goodman music manuscript collection (County Cork, mid-19th century, Book 2, p. 65) | |||
F: http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=68&z=817.0422%2C1200.2907%2C7429.8284%2C2584.8765 | |||
Z:AK/Fiddler’s Companion | |||
K:D | |||
fe|d2 dc B2AF|A2 AF E2D2|EDEF E2D2|D6 E2|F2 FE D2 EF| | |||
A2 AB d2ef|a2 fe|d2d2|d6 G2|F2 ED D2 EF|A3B d2 ef| | |||
A2 fe de d2|d6 fe|d3c BA F2|A3F E2D2|EDEF E2D2|D6|| | |||
<section end=X1 /> | |||
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Revision as of 02:26, 22 October 2022
X:1 T:Maid in Bedlam M:C L:1/8 R:Air B:Edinburgh Repository of Music, vol. 2 (1825, p. 1) Z:AK/Fiddler's Companion K:G G|d>edB e>fge|d>BAB G2 zd{ef}|g>fga (gf)(ed)|e>dg>B d2 zd| g>fga {a}g>f {f}e>d|ed{d}cB {^d}e2 (3def|gf{f}e>d e>f!fermata!g {ab} {efgf agf}e|(d<B)TA>B {A}G2z||
X:1
T:I heard a maid in Bedlam making sore compliant
M:C|
L:1/8
R:Air
N:Obtained by Goodman from the music manuscript collection of John Edward Pigot (1822-1871),
N:who had copied them from the William Forde ms.
B:James Goodman music manuscript collection (County Cork, mid-19th century, Book 2, p. 65)
F: http://goodman.itma.ie/volume-two#?c=0&m=0&s=0&cv=68&z=817.0422%2C1200.2907%2C7429.8284%2C2584.8765
Z:AK/Fiddler’s Companion
K:D
fe|d2 dc B2AF|A2 AF E2D2|EDEF E2D2|D6 E2|F2 FE D2 EF|
A2 AB d2ef|a2 fe|d2d2|d6 G2|F2 ED D2 EF|A3B d2 ef|
A2 fe de d2|d6 fe|d3c BA F2|A3F E2D2|EDEF E2D2|D6||