Annotation:Hiawatha: Difference between revisions
(Created page with "[[{{BASEPAGENAME}}|Tune properties and standard notation]] ---- <p><font face="garamond, serif" size="4"> '''HIAWATHA'''. American (originally), Canadian; Hornpipe or Clog. B Fla...") |
No edit summary |
||
| Line 2: | Line 2: | ||
---- | ---- | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
'''HIAWATHA'''. American (originally), Canadian; Hornpipe or Clog. B Flat Major. Standard tuning (fiddle). AABB. It is possible, although not direct connection has been established, that this tune has association with the 1880 opera '''Hiawatha''', by Edward E. Rice (music composition assisted by John J. Braham), composer of the earlier '''Evangeline'''. Rice was the Cambridge agent for the Cunard Company who attended a musical burlesque in Boston starring the popular actress Lydia Thompson, along with a bevy of scantily clad females called the British Blondes. The burlesque was but a vehicle for a rather prurient performance by the Blondes, who were the first to bare their legs and display their ample figures on stage. Rice and a friend, Cheever Goodwin, wagered they could make a better burlesque that would be free from vulgarity, and took the Longfellow poem Evangline as the basis for their first work. It was not critically well received, but after some reworking it hit a chord with the public, and was successfully run and revived for some 20 years. Rice next tried a piece cast in the same mould, '''Hiawatha''', but it was not only a critical flop, but failed to gain popular support as well. A scene of the work was produced by the Apollo Club of Boston in 1886, for male chorus, solo and orchestra. | '''HIAWATHA'''. AKA and see "[[Rialto (The)]]." American (originally), Canadian; Hornpipe or Clog. B Flat Major. Standard tuning (fiddle). AABB. It is possible, although not direct connection has been established, that this tune has association with the 1880 opera '''Hiawatha''', by Edward E. Rice (music composition assisted by John J. Braham), composer of the earlier '''Evangeline'''. Rice was the Cambridge agent for the Cunard Company who attended a musical burlesque in Boston starring the popular actress Lydia Thompson, along with a bevy of scantily clad females called the British Blondes. The burlesque was but a vehicle for a rather prurient performance by the Blondes, who were the first to bare their legs and display their ample figures on stage. Rice and a friend, Cheever Goodwin, wagered they could make a better burlesque that would be free from vulgarity, and took the Longfellow poem Evangline as the basis for their first work. It was not critically well received, but after some reworking it hit a chord with the public, and was successfully run and revived for some 20 years. Rice next tried a piece cast in the same mould, '''Hiawatha''', but it was not only a critical flop, but failed to gain popular support as well. A scene of the work was produced by the Apollo Club of Boston in 1886, for male chorus, solo and orchestra. | ||
<br> | |||
<br> | |||
Sean McGuire recorded the tune as "[[Rialto (The)]]" on his Outlet 1006 LP. | |||
<br> | <br> | ||
<br> | <br> | ||
Revision as of 13:36, 22 October 2011
Tune properties and standard notation
HIAWATHA. AKA and see "Rialto (The)." American (originally), Canadian; Hornpipe or Clog. B Flat Major. Standard tuning (fiddle). AABB. It is possible, although not direct connection has been established, that this tune has association with the 1880 opera Hiawatha, by Edward E. Rice (music composition assisted by John J. Braham), composer of the earlier Evangeline. Rice was the Cambridge agent for the Cunard Company who attended a musical burlesque in Boston starring the popular actress Lydia Thompson, along with a bevy of scantily clad females called the British Blondes. The burlesque was but a vehicle for a rather prurient performance by the Blondes, who were the first to bare their legs and display their ample figures on stage. Rice and a friend, Cheever Goodwin, wagered they could make a better burlesque that would be free from vulgarity, and took the Longfellow poem Evangline as the basis for their first work. It was not critically well received, but after some reworking it hit a chord with the public, and was successfully run and revived for some 20 years. Rice next tried a piece cast in the same mould, Hiawatha, but it was not only a critical flop, but failed to gain popular support as well. A scene of the work was produced by the Apollo Club of Boston in 1886, for male chorus, solo and orchestra.
Sean McGuire recorded the tune as "Rialto (The)" on his Outlet 1006 LP.
Source for notated version:
Printed sources: Cole (1000 Fiddle Tunes), 1940; p. 90. Cranford (Jerry Holland's Collection), 1995; No. 43, p. 13. Ryan's Mammoth Collection, 1883; p. 124.
Recorded sources: Rounder Records, "Jerry Holland" (1976).