Annotation:Lishman's Second Hornpipe: Difference between revisions
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|f_annotation='''LISHMAN'S SECOND HORNPIPE.'''AKA - "Lishman's 2nd Hornpipe." English, Hornpipe (cut time). England, Cumberland. B Flat Major. Standard tuning (fiddle). AABB. This unnamed hornpipe is contained in Book 13 (No. 81) of the Browne Family music manuscript collection, Troutbeck, Lake District, Cumberland. The book is thought to contain tunes entered by James Lishman, and, in modern times the hornpipe has been named for him (see "[[James Lishman's Hornpipe]]" for the first tune his name was bestowed upon). John Offord (2018) notes similiarites with "[[Watson's Hornpipe]]", another unnamed hornpipe in the copybook of Norfolk musician George Watson (c. 1880), and with "[[Saturday Night]]" in James Winder's music manuscripts. | |f_annotation='''LISHMAN'S SECOND HORNPIPE.'''AKA - "Lishman's 2nd Hornpipe." English, Hornpipe (cut time). England, Cumberland. B Flat Major. Standard tuning (fiddle). AABB. This unnamed hornpipe is contained in Book 13 (No. 81) of the Browne Family music manuscript collection, Troutbeck, Lake District, Cumberland. The book is thought to contain tunes entered by James Lishman, and, in modern times the hornpipe has been named for him (see "[[James Lishman's Hornpipe]]" for the first tune his name was bestowed upon). John Offord (2018) notes similiarites with "[[Watson's Hornpipe]]", another unnamed hornpipe in the copybook of Norfolk musician George Watson (c. 1880), and with "[[Saturday Night (6)]]" in Lancashire musician James Winder's c. 1835-41 music manuscripts. Neither tune cited is cognate, and, while there is superficial resemblance to "Watson's" there is no relationship to Winder's tune. | ||
|f_source_for_notated_version=Browne Family music manuscript collection (Book 13, No. 81, c. 1825, Lake District, Cumbria) [Offord]. | |f_source_for_notated_version=Browne Family music manuscript collection (Book 13, No. 81, c. 1825, Lake District, Cumbria) [Offord]. | ||
|f_printed_sources=Offord ('''Bonny Cumberland'''), 2018; p. 61. | |f_printed_sources=Offord ('''Bonny Cumberland'''), 2018; p. 61. | ||
}} | }} | ||
Revision as of 22:17, 11 December 2022
X:82 T:Lishman's 2nd Hornpipe,aka. BF13.081 M:4/4 L:1/8 Q:1/2=100 B:MS13,Browne family,c1825,Lake District A:Cumbria, England N:Untitled in MS..My Title..CGP Z:vmp.Chris Partington K:Bb F|BABcd2gf|edcB ABcd|ecdBG2gf|edcB AcAF| BABcd2gf|edcB ABce|dfdB cecA|B2B2B2:| |:c-B|Acf2dfb2|gecB ABcd|ecdBG2gf|edcB AcAF| Bdf2dfb2|gecB ABce|dfdB cecA|B2B2B2:| W:Untitled in MS
LISHMAN'S SECOND HORNPIPE.AKA - "Lishman's 2nd Hornpipe." English, Hornpipe (cut time). England, Cumberland. B Flat Major. Standard tuning (fiddle). AABB. This unnamed hornpipe is contained in Book 13 (No. 81) of the Browne Family music manuscript collection, Troutbeck, Lake District, Cumberland. The book is thought to contain tunes entered by James Lishman, and, in modern times the hornpipe has been named for him (see "James Lishman's Hornpipe" for the first tune his name was bestowed upon). John Offord (2018) notes similiarites with "Watson's Hornpipe", another unnamed hornpipe in the copybook of Norfolk musician George Watson (c. 1880), and with "Saturday Night (6)" in Lancashire musician James Winder's c. 1835-41 music manuscripts. Neither tune cited is cognate, and, while there is superficial resemblance to "Watson's" there is no relationship to Winder's tune.
