Annotation:Go de sin den té sin: Difference between revisions
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|f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Go_de_sin_den_té_sin > | |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Go_de_sin_den_té_sin > | ||
|f_annotation='''GO DE SIN DEN TÉ SIN.''' AKA and see: "[[Caidé Sin Do'n Té Sin Nach mBaineann Sin Dó]]," "[[Caide sin don té sin?]]," "[[Cad é sin don té sin?]]," "[[What is that to him]]," "[[What is that to him whom it does not concern]]," "[[What’s that to any one?]]." Irish, Air (6/8 time). D Major. Standard tuning (fiddle). AAB. Fr. John Quinn finds cognate melodies in “[[What's that to any one?]]” in Lynch's '''The Melodies of Ireland''' (1845-46)<ref>John P. Lynch, '''The Melodies of Ireland''', Dublin, 1845-46, p. 69. </ref>, albeit in 3/4 time, and in flautist John Clinton's '''Gems of Ireland''' (c. 1840), slightly more ornate, under the title “[[Greatest Diversion under the Sun | |f_annotation='''GO DE SIN DEN TÉ SIN.''' AKA and see: "[[Caidé Sin Do'n Té Sin Nach mBaineann Sin Dó]]," "[[Caide sin don té sin?]]," "[[Cad é sin don té sin?]]," "[[What is that to him]]," "[[What is that to him whom it does not concern]]," "[[What’s that to any one?]]." Irish, Air (6/8 time). D Major. Standard tuning (fiddle). AAB. Fr. John Quinn finds cognate melodies in “[[What's that to any one?]]” in Lynch's '''The Melodies of Ireland''' (1845-46)<ref>John P. Lynch, '''The Melodies of Ireland''', Dublin, 1845-46, p. 69. </ref>, albeit in 3/4 time, and in flautist John Clinton's '''Gems of Ireland''' (c. 1840), slightly more ornate, under the title “[[Greatest Diversion under the Sun]]"<ref>John Clinton, '''Gems of Ireland''', Dublin c. 1840, No. 56. </ref>. | ||
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Revision as of 19:52, 11 January 2023
X:1 T: Go Dé Sin don Té Sin? R:Air M:6/8 L:1/8 B:James Goodman music manuscript collection Book 1 (p. 258) F: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=261&z=-349.0448%2C1036.1419%2C11622.6877%2C4466.6667 F:at Trinity College Dublin / Irish Traditional Music Archive goodman.itma.ie Z:AK/Fiddler’s Companion K:D A|d>ed dAB|c>dc B2 d/B/|(B/A/)(G/F/)(E/D/) DFA|Bdd d2:| e/f/|ggg fff|(e/f/)(g/f/).e/.d/ B2 d/B/|(B/A/)(G/F/)(E/D/) DFA|Bdd d2 e/f/| ggg (f/a/)9g/f/).e/.d/|(e/f/)(g/f/).e/.d/ d2 d/B/|(B/A/)(G/F/)(E/D/) DFA|Bdd d2||
GO DE SIN DEN TÉ SIN. AKA and see: "Caidé Sin Do'n Té Sin Nach mBaineann Sin Dó," "Caide sin don té sin?," "Cad é sin don té sin?," "What is that to him," "What is that to him whom it does not concern," "What’s that to any one?." Irish, Air (6/8 time). D Major. Standard tuning (fiddle). AAB. Fr. John Quinn finds cognate melodies in “What's that to any one?” in Lynch's The Melodies of Ireland (1845-46)[1], albeit in 3/4 time, and in flautist John Clinton's Gems of Ireland (c. 1840), slightly more ornate, under the title “Greatest Diversion under the Sun"[2].
