Annotation:Romp (1) (The): Difference between revisions
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This tune and directions for a country dance were printed by London publishers Samuel, Ann & Peter Thompson in their '''Compleat Collection of 200 Country Dances, vol. 5''' (1788, p. 19). However, the whether Dibdin was the composer of this melody is not known, nor is the connection with his opera ascertained (it was staged a few years after the Thompson's publication). Alternatively, and perhaps more convincingly, '''The Romp''' was an afterpiece entertainment that played the Haymarket Theatre, London, for several seasons 1786-1789, and would correspond more closely with the Thompson's publication of the tune. | This tune and directions for a country dance were printed by London publishers Samuel, Ann & Peter Thompson in their '''Compleat Collection of 200 Country Dances, vol. 5''' (1788, p. 19). However, the whether Dibdin was the composer of this melody is not known, nor is the connection with his opera ascertained (it was staged a few years after the Thompson's publication). Alternatively, and perhaps more convincingly, '''The Romp''' was an afterpiece entertainment that played the Haymarket Theatre, London, for several seasons 1786-1789, and would correspond more closely with the Thompson's publication of the tune. | ||
|f_source_for_notated_version= | |f_source_for_notated_version= | ||
|f_printed_sources= | |f_printed_sources=Geoff Woolfe ('''William Winter's Quantocks Tune Book'''), 2007; No. 367, p. 128. | ||
|f_recorded_sources= | |f_recorded_sources= | ||
|f_see_also_listing= | |f_see_also_listing= | ||
}} | }} | ||
Revision as of 01:04, 30 June 2023
X:1 T:Romp [1], The M:C| L:1/8 R:Country Dance B:Samuel, Ann & Peter Thompson -- Compleat Collection of 200 Favourite Country Dances, vol. 5 (1788, p. 19) Z:AK/Fiddler's Companion K:D d4 A2 Bc|B2B2 A4|d2 fd B2 cd|efge dcBA| d4 A2 Bc|B2B2 A4|d2 fd Bege|d2c2 d4:| |:Adfd Bege|ceae|dgbg|gfed c2d2|edcB A4| Adfd Bege|ceaf|dgbg|gfed A2c2|d4 D4:|]
This tune and directions for a country dance were printed by London publishers Samuel, Ann & Peter Thompson in their Compleat Collection of 200 Country Dances, vol. 5 (1788, p. 19). However, the whether Dibdin was the composer of this melody is not known, nor is the connection with his opera ascertained (it was staged a few years after the Thompson's publication). Alternatively, and perhaps more convincingly, The Romp was an afterpiece entertainment that played the Haymarket Theatre, London, for several seasons 1786-1789, and would correspond more closely with the Thompson's publication of the tune.
