Annotation:Handel's Hornpipe: Difference between revisions

Revision as of 02:21, 7 October 2023

X:1 T:Hendall’s Hornpipe M:2/4 L:1/8 B:John & William Neal – “A Choice Collection of Country Dances” (1726, p. 13) Z:AK/Fiddler’s Companion K:G d|(Bc)(AB)|GD2E|(F/E/F/G/) AB|(G/F/G/A/) GF|(G/A/B/c/) de |^c A2G|FdE^c dD2|| d|ec2e |dBgB|cAdA|BG2A|BGcG|BG2A|BGcG|BG2A| BGcB|A3d|gGeG|dG2F|EGDG|CA2C|B,GA,F|GG,2||

HANDEL'S HORNPIPE. AKA - "Hendall's Hornpipe." English, Hornpipe (2/4 or whole time). G Major. Standard tuning (fiddle). AAB (Neal): AABBCC (Young). In addition to the printed early 18th century dance collections (listed below) in which the tune appeared, "Handel's Hornpipe" (or, sometimes, "Hendel's" or another spelling variant), could be heard in Charles Coffey's ballad opera The Female Parson: or, Beau in the Sudds (Act III, Air VI), first performed at the New Theatre in the Haymarket in 1730, and in The Conspirators. A Tragi-comic Opera, as it is acted in England and Ireland, without Applause (1749) by Carrickfergus, where "Handel's Hornpipe" is the indicated air for the song "Ye sprightly Beaux, I pray, make room"^[1]

There is no proof that the composition is the work of composer wikipedia:George_Frederic_Handel (although there are genuine works by Handel in Coffey's Female Parson), nor any stylistic indication that it is not his composition.

Additional notes

Printed sources : - John Johnson (Wright's Compleat Collection of celebrated country Dances. Vol. 2), 1742; p. 48. John & William Neal (A Choice Collection of Country Dances), Dublin, 1726. David Rutherford (Rutherford's Compleat Collection of 200 of the Most Celebrated Country Dances), 1756; p. 35. John Walsh (Caledonian Country Dances vol. II), 1737; No. 323, p. 63.

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↑ Although the words to the song do not easily scan to the "Handel's Hornpipe" in this entry.

[1] Although the words to the song do not easily scan to the "Handel's Hornpipe" in this entry.

[1]

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 {{TuneAnnotation
 |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Handel's_Hornpipe >
-|f_annotation='''HANDEL'S HORNPIPE.'''  AKA - "Hendall's Hornpipe." English, Hornpipe (2/4 or whole time). G Major. Standard tuning (fiddle). AAB (Neal): AABBCC (Young). In addition to the printed early 18th century dance collections (listed below) in which the tune appeared, "Handel's Hornpipe" (or, sometimes, "Hendel's" or another spelling variant), could be heard in Charles Coffey's ballad opera '''The Female Parson: or, Beau in the Sudds''' (Act III, Air VI), first performed at the New Theatre in the Haymarket in 1730, and in '''The Conspirators''' (1749) by Carrickfergus.
+|f_annotation='''HANDEL'S HORNPIPE.'''  AKA - "Hendall's Hornpipe." English, Hornpipe (2/4 or whole time). G Major. Standard tuning (fiddle). AAB (Neal): AABBCC (Young). In addition to the printed early 18th century dance collections (listed below) in which the tune appeared, "Handel's Hornpipe" (or, sometimes, "Hendel's" or another spelling variant), could be heard in Charles Coffey's ballad opera '''The Female Parson: or, Beau in the Sudds''' (Act III, Air VI), first performed at the New Theatre in the Haymarket in 1730, and in '''The Conspirators. A Tragi-comic Opera, as it is acted in England and Ireland, without Applause''' (1749) by Carrickfergus, where "Handel's Hornpipe" is the indicated air for the song "Ye sprightly Beaux, I pray, make room"<ref>Although the words to the song do not easily scan to the "Handel's Hornpipe" in this entry.</ref>
+<br>
+<br>
+There is no proof that the composition is the work of composer [[wikipedia:George_Frederic_Handel]] (although there are genuine works by Handel in Coffey's '''Female Parson'''), nor any stylistic indication that it is not his composition.
 |f_source_for_notated_version=
 |f_printed_sources=John Johnson ('''Wright's Compleat Collection of celebrated country Dances. Vol. 2'''), 1742; p. 48. John & William Neal ('''A Choice Collection of Country Dances'''), Dublin, 1726. David Rutherford ('''Rutherford's Compleat Collection of 200 of the Most Celebrated Country Dances'''), 1756; p. 35. John Walsh ('''Caledonian Country Dances vol. II'''), 1737; No. 323, p. 63.