London March (1)

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X:1 T:London March [1] M:C L:1/8 R:March B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 54, p. 21) Z:AK/Fiddler’s Companion K:D F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E| F2F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>cd>g|f2 e>d d4:|| a>gf>g a>ag>f|e>fg>e f2e2|d>dd>e f>ff>g|a>ag>f f2e2| A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2 F>E| F2 F>F F2E2|D>FA>d {c}B2A2|B>dA>d G>dF>d|E>DE>F E2 E>E| F2 F>F F2E2|D>FA>d {c}B2A2|BdAd G>cd>g|f2 e>d d4||

X:1 T:London March [1], The M:C L:1/8 R:March Q:”Maestoso” B:William Cahusac – The German Flute Preceptor (c. 1814, p. 23) Z:AK/Fiddler’s Companion K:G B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>gB>g|A>GA>B A2 A>A| B2 B>B B2TA2|G>B d>G Te2d2|e>gd>g c>fg>c’|b2Ta2 g4!fermata!:| d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>dc>B TB2A2| d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>dc>B B2AA!D.C!||

X:37 C:Page 19 T:London March [1]. MBe.37, The A:England;Cumbria;Towcett B:Matthew Betham MS, Towcett Cumbria, 1815 Z:VMP - Hugh Taylor, 2012 T:Lord Lowden's March,aka. MBe.37 M:C L:1/8 Q:1/2=60 R: K:G B2 B>B B2 A2|G>A"^sic"d>g ~e2 d2|e>gd>g c>gB>g|A>GA>B A2 A>A| B2 B>B B2 ~A2|G>A"^sic"d>g ~e2 d2|e>gd>g c>fg>b| b2 a2 !fermata!g4"^Fine":| |:d>cB>c d>dc>B|A>Bc>A ~B2 A2|G>GG>A B>BB>c|d>dc>B ~B2 A2| d>cB>c d>dc>B|A>Bc>A ~B2 A2|G>GG>A B>BB>c|d>dc>B B2 A>A"^D.C.":|

X:1 T:London March [1] M:C L:1/8 R:March B:A. Robinson Jr. - ”Massachusetts collection of martial musick: containing a B:plain, easy and concise introduction to the grounds of martial musick” B:(Exeter, 1820, pp. 43-44) B: https://archive.org/details/massachusettscol00exet/page/64/mode/2up Z:AK/Fiddler’s Companion K:G V:1 B2 B>B B2A2|G>Bd>g e2d2|e>gd>g c>gB>g|A>GA>B A2 A>A| B2 B>B B2A2|G>Bd>g e2d2|e>g d>g c>f g>c’|b2 a>g g4:| |:d>cB>c d>dc>B|A>Bc>A B2A2|G>G G>A B>B B>c|d>d c>B B2A2| d>c B>c d>d c>B|A>B c>A B2A2|G>G G>A B>B B>c|d>d c>B B2 A>A| B2 B>B B2A2|G>Bd>g e2d2|e>g d>g c>g B>g|A>G A>B A2 A>A| B2 B>B B2A2|G>Bd>g e2 d2|e>g d>g c>f g>c’|b2 a>g g4:| V:2 G2 G>G G2F2|G2B2c2B2|c2B2A2G2|F>EF>G F2 F>F| G2 G>G G2F2|G2B2c2B2|c2B2 A2 B>e|d2 c>B B4:| |:B>AG>A B>BA>G|F>GA>F G2F2|G>G G>F G>G G>A|B>B A>G G2F2| B>A G>A B>B A>G|F>G A>F G2F2|G>G G>F G>G G>A|B>B A>G G2 F>F| G2 G>G G2F2|G2B2c2B2|c>e B>d E>G D>G|D>B D>B D2 F>F| G2 G>G G2F2|G2B2c2B2|c2B2 A>c B>e|d2 c>B B4:| V:3 clef=bass G,,2 G,,>G,, G,,2D,2|G,2G,2G,2G,2|G,2G,2D,2G,,2|D,2D,2 D,,2D,,2| G,,2 G,,>G,, G,,2D,2|G,2G,,2G,2G,,2|G,2G,,2D,2 B,,>C,| D,2D,,2 G,,4:| |:G,,8|D,,8|G,>G, G,>D, G,,>G,, G,,>D,|G,>G, E,>G, D,2D,,2| G,,8|D,,8|G,>G, G,>D, G,,>G,, G,,>D,|G,>G, F,>G, D,2D,,2| G,2 G,>G, D,2 D,,2|G,,2G,2G,,2G,2|G,,8|D,,8| G,,2 G,,>G,, D,2D,,2|G,,2G,2G,,2G,2|C,2G,,2D,2G,>C,|D,2D,,2D,,4:|

X: 1 T:London March [1]. JGi.114 M:C L:1/8 Q:1/4=130 S:Joshua Gibbons MS,1823,Tealby,Lincs. R:march O:Tealby,Lincolnshire Z:VMP/R.Greig, 2009 K:C E2E>EE2D2|CE GcA2G2|AcGc FAEA|DCDE DFED| E2E>EE2D2|CEGcA2G2|AcGc EGcd|e2d2c4:| |:g>fed ggfe|defee2d2|c>dc>d e>fe>f|ggfee2d2| g>fe>f ggfe|defee2d2|c>dc>d e>fe>f| ggfee2d2|e2e>fe2d2|ceGcA2G2|AcGc FAEG| DCDE DFED|CEGcA2G2|AcGc EGcd|e2d2c4:|

X:1 T:London March [1] M:C L:1/8 R:March B:Edward Riley – “Riley Flute Melodies vol. 2” (New York, 1817, No. 348, p. 65) F: https://archive.org/details/flutemelodies0000rile/page/94/mode/2up Z:AK/Fiddler’s Companion K:G B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>gB>g|A>GA>B A2 A>A| B2 B>B B2A2|G>B d>g Te2d2|e>gd>g c>fg>c’|b2Ta2g4!fine!|| d>c B>c d>d c>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d>d c>B B2A2| d>cB>c d>dc>B|A>Bc>A TB2A2|G>GG>A B>BB>c|d2 c>B {B}A4!D.C.!||

X:1 T:London March [1], The. TJD.54 M:C L:1/8 Q:1/4=140 S:T.J.Dixon MS2, Lincolnshire, early 19thC R:march N:Repeat mark added at end A:Lincolnshire, Holton le Moor Z:vmp.R.Greig2010 K:G B2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|A2A>A A>cB>A|! B2B>BB2A2|G>Bd>ge2d2|e>gd>g c>gB>g|b2a2g4:|! |:d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>BB2A2|! d>cB>c d>dc>B|A>Bc>BB2A2|G>GG>A B>BB>c|d>dc>B "^Da Capo"B2A2:|]

X: 1 T:London March [1], The. JMT.020 M:C L:1/8 Q:1/4=140 S:J.Moore,Tyneside,1841.(14a) R:.March O:England A:Northumbria N:Irregular (bar missed out in the B music? Z:vmp.John Adam K:D |:F2 FF F2 E2| DFAc B2 A2 | Bd Ad Gd Fd | E>DEF E4 |! F2 FF F2 E2 | DFAdB2 A2 | Bd Ad FA dg | f2 e2 d2 :||:! (3agf | efge f2 e2 "?"| d2 de f2 fa | a2 (3 agf f2 e2 | f2 ff f2 e2 |! df Ad B2 A2 | Bd Ad Gd Fd | E>DEF E4 | F2 FF F2 E2 |! DFAd B2 A2 | Bd Ad FA dg | f2 e2 d4 :| W:Try repeating the first bar.

X:1 T:London March [1] M:4/4 L:1/8 B:Oliver Ditson – The Boston Collection of Instrumental Music (c. 1850, p. 89) Z:AK/Fiddler’s Companion K:D F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>d/F/>d/|E>DE>F E2 E>E| F2 F>F F2E2|D>F A>d B2A2|B/>d/A/>d/ G/>c/d/>g/|f2 e2 d4!fermata!:| |:A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2| A>GF>G A>AG>F|E>FG>E F2E2|D>DD>E F>FF>G|A>AG>F F2E2!D.C.!:|

X:1 T:London March [1].TLY.015 M:4/4 L:1/8 Q:1/2=90 S:Wm.Tildesley,Swinton,Lancs.1860s. R:.March O:England. A:Lancashire. N:I have removed the D>E from the end of the A strain to the N:beginning.CGP. H:1860. Z:vmp.Taz Tarry. K:D "*"D>E|F2 F>F F2E2| DFAd B2A2|BdAd GdFd|E2 E>E E2 D>E|! F2 F>F F2 E2|D/2E/2F/2G/2 A/2B/2c/2d/2 B2 A2|\ BdAd Gc ((3efg)|f2~e2d2:|! |:f>g|a>gf>g g>agf|e>fg>g f2 e2|\ dd/2/d/2 de ff/2f/2 fg|ab>a b/2a/2g/2f/2f2 e2:|! |:f2 f>f f2 e2|dfAd B2 A2|BdAd GdAd|E2 E>E E2 D>E|! F2 F>F F2 E2|DFAd B2A2|BdAd ((3Bcd) ((3efg)|f2~e2d4:|

X:1 T:London March [1], The M:C| L:1/8 R:March B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 44) Z:AK/Fiddler’s Companion K:D (DE)|F2 FF F2E2|D/E/F/G/ A/B/c/d/ {c}B2A2|BdAd GdFd|EDEF EGFE| F2 FF F2E2|DFAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:| |:a2|a>gfg a2 gf|e>fgf f2 {gf}e2|DDDE FFFG|AAGF F2E2| a>gfg a2 gf|e>fgf f2e2|ddde fffg|aagf f2e2| f2 f>f f2e2|BdAd {c}B2A2|BdAd FA d/e/f/g/|f2e2d2:|]