Saxon Dance: Difference between revisions
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F/B/|d(B/d/) f(e/d/)|c{d}(c/=B/) cd|fecd|ed B(F/B/)|d(B/d/) (g/f/)(e/d/)|cc/=B/ cd|ec A/B/c/A/ |BdB|| | F/B/|d(B/d/) f(e/d/)|c{d}(c/=B/) cd|fecd|ed B(F/B/)|d(B/d/) (g/f/)(e/d/)|cc/=B/ cd|ec A/B/c/A/ |BdB|| | ||
c|fc fa/g/|f/=e/d/c/ =B/c/d/e/|f/=e/g/f/ a/g/b/a/|g{a}g/^f/ gc|fa/g/|f/=e/d/c/ =B/c/d/e/|f/c/a/f/ =e/b/g/e/|faf|| | c|fc fa/g/|f/=e/d/c/ =B/c/d/e/|f/=e/g/f/ a/g/b/a/|g{a}g/^f/ gc|fa/g/|f/=e/d/c/ =B/c/d/e/|f/c/a/f/ =e/b/g/e/|faf|| | ||
f|_edc=B {d}c=Bce|dc_Bc|{Bc}d2 cf|edc=B|c=Bce|dfec|B2 z|| | f|_edc=B |{d}c=Bce|dc_Bc|{Bc}d2 cf|edc=B|c=Bce|dfec|B2 z|| | ||
V:2 clef = bass | V:2 clef = bass | ||
z|B,,2B,2|F,2F,,2|F,,2F,2|B,,2B,2|B,,2B,2|F,2F,,2|F,,2F,2|B,,B,B,,|| | z|B,,2B,2|F,2F,,2|F,,2F,2|B,,2B,2|B,,2B,2|F,2F,,2|F,,2F,2|B,,B,B,,|| | ||
Revision as of 03:13, 28 December 2023
X:1 T:Saxon Dance, The M:2/4 L:1/8 R:Country Dance B:William Campbell – “Campbell’s favorite set of New Country Dances & B:Strathspey Reels &c. for the Year 1815, for the Piano-Forte , Harp or B:Violin as Danced at Carlton House, Williss’s Rooms , B:&c., &c.” (Soho, London, No. 4) F: https://s9.imslp.org/files/imglnks/usimg/a/a7/IMSLP770682-PMLP1221412-campbell_g.352.mm.-5.-_Campbell's_favorite_set_of_new_Country_Dances_-_Strathspey_Reels_1815.pdf Z:AK/Fiddler’s Companion K:Bb V:1 F/B/|d(B/d/) f(e/d/)|c{d}(c/=B/) cd|fecd|ed B(F/B/)|d(B/d/) (g/f/)(e/d/)|cc/=B/ cd|ec A/B/c/A/ |BdB|| c|fc fa/g/|f/=e/d/c/ =B/c/d/e/|f/=e/g/f/ a/g/b/a/|g{a}g/^f/ gc|fa/g/|f/=e/d/c/ =B/c/d/e/|f/c/a/f/ =e/b/g/e/|faf|| f|_edc=B |{d}c=Bce|dc_Bc|{Bc}d2 cf|edc=B|c=Bce|dfec|B2 z|| V:2 clef = bass z|B,,2B,2|F,2F,,2|F,,2F,2|B,,2B,2|B,,2B,2|F,2F,,2|F,,2F,2|B,,B,B,,|| z|F,2F,2|C,2C,2|F,2F,2|C2C,2|F,2F,2|C,2C,2|F,2E,2|F,/C,/A,,/C,/ F,,|| z|A,,/C,/F,/C,/ A,,/C,/F,/C,/|A,,/C,/F,/C,/ A,,/C,/F,/C,/|B,,/D,/F,/D,/ B,,/D,/F,/D,/| B,,/D,/F,/D,/ B,,/D,/F,/D,/| A,,/C,/F,/C,/ A,,/C,/F,/C,/|A,,/C,/F,/C,/ A,,/C,/F,/C,/| B,,/D,/F,/D,/ A,,/C,/F,/C,/|B,,/D,/F,/D,/ B,,||
X:187G
T:Saxon Dance in G
O:No 187 William Clarke of Feltwell
Z:Transcribed by David Dolby 2010
M:2/4
N:But should there be G sharps in bars B2 and B6?
L:1/16
K:G
DG|B2GB d2cB|A2AA A2B2|d2c2A2A2|c2B2G2 DG|B2GB d2cB|A2AG A2B2|d2c2A2B2|G6:|
K:D
|:A2|d2c2d2 fe|dcBA GABc|dced fegf|e2e^d e2A2|d2c2d2 fe|dcBA GABc|dBfd Bgec|d2f2d2:|
K:G
|:d2|c2B2A2G2|A2AG A2c2|B2A2G2A2|B4G2d2|c2B2A2G2|A2A2A2c2|B2A2G2F2|G6:|
X:187C
T:Saxon Dance (Manuscript version)
O:No 187 Page 91 William Clarke of Feltwell
Z:Transcribed by David Dolby 2010
M:2/4
L:1/16
N:In m.s. the key signature is G, bar B2 is written in quavers.
N:This is as in the manuscript. The B music feels as though it should be in the dominant key - see version 187G
K:C
Gc|e2ce g2fe|d2dd d2e2|g2f2d2d2|g2f2 c2Gc|e2ce g2fe|d2dc d2e2|g2f2d2e2|c6:|
|:d2|g2f2g2 ba|gfed cdef|gfag bac'b|a2a^g a2d2|g2=f2g2 ba|gfed cdef|gebg ec'ae|g2b2g2:|
|:g2|f2e2d2c2|d2dc d2f2|e2d2c2d2|e4c2g2|f2e2d2c2|d2d2d2f2|e2d2c2B2|c6:|]