Annotation:Here's a health to all good lasses: Difference between revisions

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X:1 T:Here’s a health to all good lasses M:2/4 L:1/8 B:Edward Riley – “Riley’s Flute Melodies vol. 1” (New York, 1814, No. 200, p. 52) B: https://archive.org/details/flutemelodies0000rile/page/n55/mode/2up Z:AK/Fiddler’s Companion K:D d>e|gdgf|ed f>g|afba|gfaa|aaba|aggg|ggag |gf a>a| bbac|d2 a>a|bbac|d2 de|fdec|ddde|fdec|d2 b>b| afge |d2 ab|ge A/B/c/A/|dd ab|ge A/B/c/A/|dd aa| aaba|aggg|ggag|gf a>a|bbac|d2 a>a|bbac|d2||

HERE'S A HEALTH TO ALL GOOD LASSES. English, Air (2/4 time). D Major. Standard tuning (fiddle). One part. A much-anthologized song [Roud 1235], printed in Edward Jones's Musical Bouquet, or popular songs and ballads (London, 1799, p. 34), London Minstrel (1820), Universal Songster and Museum of Mirth (1825) and similar songsters and chapbooks from the end of the 18th century through the 19th. It was derived from a part-song by Pietro Guglielmi (1728–1804), and often set as a glee (a song in parts for men). "Here's a health to all good lasses" was a favorite of London “Song & Supper” clubs, and found its way into rural tradition in Cumberland, Oxfordshire, Dorset, the Isle of Mann and numerous other places.

Additional notes

Printed sources : - Edward Riley (Riley’s Flute Melodies vol. 1), New York, 1814; No. 200, p. 52.

Recorded sources : - The Mellstock Band - "The Dance at the Phoenix: Village Band Music from Hardy's Wessex and Beyond" (1999).

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 {{TuneAnnotation
 |f_tune_annotation_title= https://tunearch.org/wiki/Annotation:Here's_a_health_to_all_good_lasses >
-|f_annotation=[[File:Lasseshealth.jpg|right|450px|thumb|George Cruikshank (?), 1818.]]'''HERE'S A HEALTH TO ALL GOOD LASSES.''' English, Air (2/4 time). D Major. Standard tuning (fiddle). One part. A much-anthologized song [Roud 1235], printed in Edward Jones's '''Musical Bouquet, or popular songs and ballads''' (London, 1799, p. 34), '''London Minstrel''' (1820), '''Universal Songster and Museum of Mirth''' (1825) and similar songsters and chapbooks from the end of the 18th century through the 19th. A glee (a song in parts for men), it was derived from a part-song by Pietro Guglielmi (1728–1804). A favorite of London “Song & Supper” clubs, it found its way into rural tradition in Cumberland, Oxfordshire, Dorset, the Isle of Mann and numerous other places.
+|f_annotation=[[File:Lasseshealth.jpg|right|450px|thumb|George Cruikshank (?), 1818.]]'''HERE'S A HEALTH TO ALL GOOD LASSES.''' English, Air (2/4 time). D Major. Standard tuning (fiddle). One part. A much-anthologized song [Roud 1235], printed in Edward Jones's '''Musical Bouquet, or popular songs and ballads''' (London, 1799, p. 34), '''London Minstrel''' (1820), '''Universal Songster and Museum of Mirth''' (1825) and similar songsters and chapbooks from the end of the 18th century through the 19th. It was derived from a part-song by Pietro Guglielmi (1728–1804), and often set as a glee (a song in parts for men).  "Here's a health to all good lasses" was a favorite of London “Song & Supper” clubs, and found its way into rural tradition in Cumberland, Oxfordshire, Dorset, the Isle of Mann and numerous other places.
 |f_source_for_notated_version=
 |f_printed_sources=Edward Riley ('''Riley’s Flute Melodies vol. 1'''), New York, 1814; No. 200, p. 52.