Annotation:Barefoot Boy (The): Difference between revisions
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|f_annotation='''BAREFOOT BOY, THE''' ("Bouchaleen Oge" or "An Buacaill Lomcosac"). Irish, Double Jig (6/8 time). G Major. Standard tuning (fiddle). AABB' (O'Neill/Krassen, 1001 & 1850): AAB (O'Neill/1915). Compare the first strain of "The Barefoot Boy" with the first strain of O'Neill's first setting of "[[Strop the Razor (1)]]." | |||
|f_annotation='''BAREFOOT BOY, THE''' ("Bouchaleen Oge" or "An Buacaill Lomcosac"). Irish, Double Jig (6/8 time). G Major. Standard tuning (fiddle). AABB' (O'Neill/Krassen, 1001 & 1850): AAB (O'Neill/1915). Compare the first strain of "The Barefoot Boy" with the first strain of O'Neill's first setting of "[[Strop the Razor (1)]]." | |f_source_for_notated_version=s | ||
|f_source_for_notated_version= | |f_printed_sources=O'Neill ('''O'Neill's Irish Music'''), 1915; No. 175, p. 96. O'Neill (Krassen), 1976; p. 66. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1074, p. 202. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 276, p. 60. | ||
|f_printed_sources=O'Neill ('''O'Neill's Irish Music'''), 1915; No. 175, p. 96. O'Neill (Krassen), 1976; p. 66. O'Neill ('''Music of Ireland: 1850 Melodies'''), 1903; No. 1074, p. 202. O'Neill ('''Dance Music of Ireland: 1001 Gems'''), 1907; No. 276, p. 60. | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Barefoot_(Boy)_(The) > | ||
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Revision as of 15:07, 20 June 2024
X:1 T:Barefoot Boy, The M:6/8 L:1/8 R:Jig S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 276 Z:AK/Fiddler's Companion K:G E |DGG A2G | FDD FEF | DGG A2G| Add cAF | DGG A2G |FDD FGA|BdB cAF | AGG G2 :| |:c | B2B cAA | BAG FGA | BdB cAc | BGB c2A | |1 B2B cAA | BAG FGA | BdB cAF |AGG G2 :| |2 GBd gfe | dec Bcd | ecA FGA | BGG G2 ||
BAREFOOT BOY, THE ("Bouchaleen Oge" or "An Buacaill Lomcosac"). Irish, Double Jig (6/8 time). G Major. Standard tuning (fiddle). AABB' (O'Neill/Krassen, 1001 & 1850): AAB (O'Neill/1915). Compare the first strain of "The Barefoot Boy" with the first strain of O'Neill's first setting of "Strop the Razor (1)."