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|f_annotation='''BAREFOOT BOY, THE''' ("Bouchaleen Oge", Buachaillín Óg, or "An Buacaill Lomcosac"). Irish, Double Jig (6/8 time). G Major. Standard tuning (fiddle). AABB' (O'Neill/Krassen, 1001 & 1850): AAB (O'Neill/1915). Compare the first strain of "The Barefoot Boy" with the first strain of O'Neill's first setting of "[[Strop the Razor (1)]]."
|f_annotation='''BAREFOOT BOY, THE''' ("Bouchaleen Oge", "[[Buachaillín Óg]]", or "An Buacaill Lomcosac"). Irish, Double Jig (6/8 time). G Major. Standard tuning (fiddle). AABB' (O'Neill/Krassen, 1001 & 1850): AAB (O'Neill/1915). Compare the first strain of "The Barefoot Boy" with the first strain of O'Neill's first setting of "[[Strop the Razor (1)]]."
|f_source_for_notated_version=James Kerwin [O'Neill].  O'Neill wrote of Kerwin in his '''Irish Folk Music: A Fascinating Hobby''' (1913, pp. 43-44):
|f_source_for_notated_version=James Kerwin [O'Neill].  O'Neill wrote of Kerwin in his '''Irish Folk Music: A Fascinating Hobby''' (1913, pp. 43-44):
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Revision as of 15:10, 20 June 2024



X:1 T:Barefoot Boy, The M:6/8 L:1/8 R:Jig S:O'Neill - Dance Music of Ireland: 1001 Gems (1907), No. 276 Z:AK/Fiddler's Companion K:G E |DGG A2G | FDD FEF | DGG A2G| Add cAF | DGG A2G |FDD FGA|BdB cAF | AGG G2 :| |:c | B2B cAA | BAG FGA | BdB cAc | BGB c2A | |1 B2B cAA | BAG FGA | BdB cAF |AGG G2 :| |2 GBd gfe | dec Bcd | ecA FGA | BGG G2 ||



BAREFOOT BOY, THE ("Bouchaleen Oge", "Buachaillín Óg", or "An Buacaill Lomcosac"). Irish, Double Jig (6/8 time). G Major. Standard tuning (fiddle). AABB' (O'Neill/Krassen, 1001 & 1850): AAB (O'Neill/1915). Compare the first strain of "The Barefoot Boy" with the first strain of O'Neill's first setting of "Strop the Razor (1)."


Additional notes
Source for notated version : - James Kerwin [O'Neill]. O'Neill wrote of Kerwin in his Irish Folk Music: A Fascinating Hobby (1913, pp. 43-44):

No words of mine could do justice to Sergeant Kerwin—the genial, hospitable "Jim" Kerwin, not as a fluter and a lover of the music of his ancestors, but as a host at his magnificent private residence on Wabash Avenue [Chicago]. On his invitation and that of his equally hospitable and charming wife, a select company, attracted and united by a common hobby, met monthly on Sunday afternoons at his house for years.



Printed sources : - O'Neill (O'Neill's Irish Music), 1915; No. 175, p. 96. O'Neill (Krassen), 1976; p. 66. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1074, p. 202. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 276, p. 60.






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