Bien Aimée (La): Difference between revisions

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Z:AK/Fiddler's Companion
Z:AK/Fiddler's Companion
K:A
K:A
eaec | cecA | (Bd) (EG)|BE (B/c/d) | caec | cecA |  
eaec | cecA | (Bd) (EG)|BE (B/c/d) | caec | cecA | (Bd) (EG) | A2 A,2 :|
(Bd) (EG) | A2 A,2 :||: (.B.c.B.A) | (GBG).E | .e(fed) |  
|: (.B.c.B.A) | (GBG).E | .e(fed) | .c(ecA) | {b}aeec | fdcB | (ce) (EG) | A2 A,2 :|
.c(ecA) | {b}aeec | fdcB | (ce) (EG) | A2 A,2 :|
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Latest revision as of 01:23, 9 August 2024


Bien Aimée (La)  Click on the tune title to see or modify Bien Aimée (La)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bien Aimée (La)
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 Theme code Index    5533 25L22
 Also known as    Beloved (The), Pennington's Maggot
 Composer/Core Source    
 Region    
 Genre/Style    
 Meter/Rhythm    Country Dance
 Key/Tonic of    A
 Accidental    3 sharps
 Mode    Ionian (Major)
 Time signature    2/4
 History    
 Structure    AABB
 Editor/Compiler    Biography:Robert Daubat
 Book/Manuscript title    Book:Cent Contredanses en Rond
 Tune and/or Page number    No. 39
 Year of publication/Date of MS    1757
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   




X:1 T:Bien Aimée, La (The Beloved) M:2/4 L:1/8 S:Daubat - Cent Contredanses en Rond (1757), No. 39 Z:AK/Fiddler's Companion K:A eaec | cecA | (Bd) (EG)|BE (B/c/d) | caec | cecA | (Bd) (EG) | A2 A,2 :| |: (.B.c.B.A) | (GBG).E | .e(fed) | .c(ecA) | {b}aeec | fdcB | (ce) (EG) | A2 A,2 :|