Fair Roscommon Polka: Difference between revisions
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Line 49: | Line 49: | ||
R:Polka | R:Polka | ||
S:The McNulty Family | S:The McNulty Family | ||
B:Evelyn Osborne, "Change and Stability in Irish-Amerian-Newfoundland fiddle tunes", | |||
B:'''OngCos go Cluas: From Dancing to Listening''', The Ephinstone Institute, Univ. | |||
B:of Aberdeen, 2019, p. 227. | |||
Z:Evelyn Osborne | |||
K:Emin | K:Emin | ||
BE EF/A/|B/c/B/A/ F/D/F/A/|BE EF|D2 DF/A/|BE EF/A/|B/c/B/A/ F/D/F/A/|BA AF|E2 EF/A/:| | BE EF/A/|B/c/B/A/ F/D/F/A/|BE EF|D2 DF/A/|BE EF/A/|B/c/B/A/ F/D/F/A/|BA AF|E2 EF/A/:| | ||
Line 60: | Line 64: | ||
R:Polka | R:Polka | ||
S:Snotty Var (Newfoundland) | S:Snotty Var (Newfoundland) | ||
B: | B:Evelyn Osborne, "Change and Stability in Irish-Amerian-Newfoundland fiddle tunes", | ||
B:'''OngCos go Cluas: From Dancing to Listening''', The Ephinstone Institute, Univ. | |||
B:of Aberdeen, 2019, p. 227. | |||
Z:Evelyn Osborne | Z:Evelyn Osborne | ||
K:Emin | K:Emin |
Revision as of 20:34, 2 September 2024
X: 1 T: Fair Roscommon R: polka M: 2/4 L: 1/8 K: Emin |:BE EF/A/| BA FA |BE EF/E/| D>A FA |BE EF |BA FA| AF dF| E2 E2 :| |:Be ed/e/|fe dA|Be ef|d2^cd|Be ed/e/|fe dA|Fd AF|E2 E2 :|
X:1
T:Fair Roscommon Polka
M:2/4
L:1/8
R:Polka
S:The McNulty Family
B:Evelyn Osborne, "Change and Stability in Irish-Amerian-Newfoundland fiddle tunes",
B:OngCos go Cluas: From Dancing to Listening, The Ephinstone Institute, Univ.
B:of Aberdeen, 2019, p. 227.
Z:Evelyn Osborne
K:Emin
BE EF/A/|B/c/B/A/ F/D/F/A/|BE EF|D2 DF/A/|BE EF/A/|B/c/B/A/ F/D/F/A/|BA AF|E2 EF/A/:|
|:Be ed/e/ |fe ed|Be ef|d2d2|Be ed/e/|fe ed|AF AF|E2E2:|
X:1
T:Fair Roscommon Polka
M:2/4
L:1/8
R:Polka
S:Snotty Var (Newfoundland)
B:Evelyn Osborne, "Change and Stability in Irish-Amerian-Newfoundland fiddle tunes",
B:OngCos go Cluas: From Dancing to Listening, The Ephinstone Institute, Univ.
B:of Aberdeen, 2019, p. 227.
Z:Evelyn Osborne
K:Emin
BE ED/E/|FD FA|BE ED/E/|FE D2|BE E/D/E/|FD FA|B>c BA |FE E2:|
|:Be ed/e/|fe ed|Be ed/e/|fe d2|Be ed/e/|fe ed|B>c BA|FE E2:|