Annotation:Joyful Days is Coming: Difference between revisions

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'''JOYFUL DAYS IS COMING'''. AKA and see "[[Durham Old Women]]." English, Jig (9/8 time). England, Northumberland. D Major (Vickers): G Major (Stokoe). Standard tuning (fiddle). AABB. Matt Seattle notes the 2nd strain is perhaps related to "[[How She’ll Ne’er be Guided]]", or "[[Faraway Wedding (1) (The)]]." See also note for "[[Talk:Durham Old Women]]."  
'''JOYFUL DAYS IS COMING'''. AKA and see "[[Durham Old Women]]." English, Jig (9/8 time). England, Northumberland. D Major (Vickers): G Major (Stokoe). Standard tuning (fiddle). AABB. The first strain is but a fragment. Matt Seattle notes the 2nd strain is perhaps related to "[[How She’ll Ne’er be Guided]]", or "[[Faraway Wedding (1) (The)]]." See also note for "[[Talk:Durham Old Women]]."  
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''Source for notated version'':  
''Source for notated version'': William Vickers' 1770 music manuscript collection [http://www.asaplive.com/archive/detail.asp?id=R0311504] [Seattle].
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''Printed sources'': Stokoe & Bruce, '''Northumbrian Minstrelsy'''; p. 47 (appears as "Durham Old Woman"). Seattle ('''William Vickers'''), 1987, Part 3; No. 404.
''Printed sources'': Stokoe & Bruce, '''Northumbrian Minstrelsy'''; p. 47 (appears as "Durham Old Woman"). Seattle ('''Great Northern/William Vickers'''), 1987, Part 3; No. 404.
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Revision as of 20:27, 25 March 2012

Tune properties and standard notation


JOYFUL DAYS IS COMING. AKA and see "Durham Old Women." English, Jig (9/8 time). England, Northumberland. D Major (Vickers): G Major (Stokoe). Standard tuning (fiddle). AABB. The first strain is but a fragment. Matt Seattle notes the 2nd strain is perhaps related to "How She’ll Ne’er be Guided", or "Faraway Wedding (1) (The)." See also note for "Talk:Durham Old Women."

Source for notated version: William Vickers' 1770 music manuscript collection [1] [Seattle].

Printed sources: Stokoe & Bruce, Northumbrian Minstrelsy; p. 47 (appears as "Durham Old Woman"). Seattle (Great Northern/William Vickers), 1987, Part 3; No. 404.

Recorded sources:




Tune properties and standard notation