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Chappell set the tune in E flat major although most modern versions are in 'G' | =='''Back to [[{{BASEPAGENAME}}]]'''== | ||
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'''AMARILLIS.''' English, Country Dance Tune (). Standard tuning (fiddle). Chappell set the tune in E flat major although most modern versions are in 'G'. The tune appears in many works, including Porter's play '''The Villain''' (1663), '''Merry Drollery Complete''' (1670), '''The New Academy of Compliments'''; and Playford's '''Dancing Master''' (1665), '''Musick's Delight on the Cithern''' (1666), and '''Apollo's Banquet''' (1670). A popular tune, it was used following the convention of the period as the vehicle for numerous 18th century ballads, according to Chappell (1859), including "The Coy Shepherdess; or Phillis and Amintas" ('''Roxburghe Collection''') {from which title the ballad was sometime known as "Phillis (or Amintas) on the new-made hay"}; "'Love in the blossom' or 'Fancy in the bud'" (Roxburghe); "Fancy's Freedom' or 'True Lovers' bliss'" (Roxburghe); "'The True Lovers' Happiness' or 'Nothing venture, nothing have, &c'" (Douce Collection/Roxburghe): "The Cotsall (Cotswold) Shepherds" (Folly in Print, or a Book of Rhymes" {1667}); "'The Virgin's Constancy' or 'The True Lovers' Happiness'" and "'The True Lovers' Happiness' or 'Nothing venture, nothing have'" ('''Pepys Collection'''). | |||
Printed sources: Barnes ('''English Country Dance Tunes'''), 1986. Chappell ('''Popular Music of the Olden Time''') | <br> | ||
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''Source for notated version'': | |||
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''Printed sources'': Barnes ('''English Country Dance Tunes'''), 1986. Chappell ('''Popular Music of the Olden Time, vol. 2'''), 1859; pp. 12-13. Sharp ('''Country Dance Tunes'''), 1909; p. 25. Watson, 1975; No. 8, p. 9. | |||
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Revision as of 04:48, 7 December 2015
Back to Amarillis
AMARILLIS. English, Country Dance Tune (). Standard tuning (fiddle). Chappell set the tune in E flat major although most modern versions are in 'G'. The tune appears in many works, including Porter's play The Villain (1663), Merry Drollery Complete (1670), The New Academy of Compliments; and Playford's Dancing Master (1665), Musick's Delight on the Cithern (1666), and Apollo's Banquet (1670). A popular tune, it was used following the convention of the period as the vehicle for numerous 18th century ballads, according to Chappell (1859), including "The Coy Shepherdess; or Phillis and Amintas" (Roxburghe Collection) {from which title the ballad was sometime known as "Phillis (or Amintas) on the new-made hay"}; "'Love in the blossom' or 'Fancy in the bud'" (Roxburghe); "Fancy's Freedom' or 'True Lovers' bliss'" (Roxburghe); "'The True Lovers' Happiness' or 'Nothing venture, nothing have, &c'" (Douce Collection/Roxburghe): "The Cotsall (Cotswold) Shepherds" (Folly in Print, or a Book of Rhymes" {1667}); "'The Virgin's Constancy' or 'The True Lovers' Happiness'" and "'The True Lovers' Happiness' or 'Nothing venture, nothing have'" (Pepys Collection).
Source for notated version:
Printed sources: Barnes (English Country Dance Tunes), 1986. Chappell (Popular Music of the Olden Time, vol. 2), 1859; pp. 12-13. Sharp (Country Dance Tunes), 1909; p. 25. Watson, 1975; No. 8, p. 9.
Recorded sources: