Bride's March (The): Difference between revisions

Revision as of 04:53, 3 July 2010

Bride's March (The) Click on the tune title to see or modify Bride's March (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bride's March (The) Query the Archive
Theme code Index	1H1H1H2H 1H276
Also known as	Scottish March (A)
Composer/Core Source
Region	Scotland
Genre/Style	Shetland/Orkney
Meter/Rhythm	Air/Lament/Listening Piece
Key/Tonic of	G
Accidental	1 sharp
Mode	Ionian (Major)
Time signature	3/4, 12/8
History	Scotland/Shetland/Orkney"Scotland/Shetland/Orkney" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
Structure	AABB
Editor/Compiler	Biography:Tom Anderson & Tom Georgeson
Book/Manuscript title	Book:Mirrie Dancers (Da)
Tune and/or Page number	p. 11
Year of publication/Date of MS	1970
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

BRIDE'S MARCH, THE. AKA and see "A Scottish March." Shetland, Air (3/4 or 12/8 time). Shetland, West side. G Major. Standard tuning (fiddle). AAB. Cooke (1986) finds that Stickle's version of "The Bride's March" is similar to the Northumbrian song air called "The Rock and the/a Wee Pickle Tow." According to Stickle (who related the story to the collector Pat Shuldham-Shaw), the melody was a processional tune used to accompany the wedding party from the kirk after the marriage. "From almost every house passed on the way," related Stickle, "there would come a fiddler on the doorstep who would play this tune as the procession passed." Cooke remarks that if the locals were aware of the traditional text of the song, it must have been the cause for some levity, "and, at the same time, could serve as a warning to future young wives, for it takes the form of an 'auld wife's' lament of the difficulties of learning the wifely art of spinning." John Playford published the tune in his Musick's Handmaid (1678) under the title "A Scottish March," which suggests to Cooke that the piece may well have been used as a bridal march in Scotland at an earlier time.

Source for notated version: John Stickle (Shetland) [Cooke]; Peter Fraser (Shetland) [Anderson & Georgeson].

Printed sources: Anderson & Georgeson (Da Mirrie Dancers), 1970; p. 11. Cooke (The Fiddle Tradition of the Shetland Isles), 1986; Ex. 32 (b), p. 84.

X:1
T:Da Bride's March
L:1/8
M:12/8
K:G
e|:gde gde gab {ab}age|gdB A2g fga e3|gde gde gab|{ab}age|
gdB (3ABc A2 BAG G2z:|c|:BGA Bgd (3BAB d BAG|
{EF}E D2 D2g fga A2c|{c}BGA Bgd {c}BAB d {c}BAG|EGA BdA {c}BAG G2z:||

@@ Line 6: / Line 6: @@
 |f_rhythm=Air/Lament/Listening Piece
 |f_time_signature=3/4, 12/8
+|f_key=G
+|f_accidental=1 sharp
+|f_mode=Ionian (Major)
 |f_history=<b>Scotland</b>/Shetland/Orkney
+|f_structure=AABB
 |f_book_title=Mirrie Dancers (Da)
 |f_collector=Tom Anderson & Tom Georgeson,
 |f_year=1970
 |f_page=p. 11