Bunker Hill (1): Difference between revisions

Revision as of 20:46, 24 July 2010

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Theme code Index	1H1H 5H3H 2H2H 3H1H
Also known as	Dead March, 'A' Drag, Harrison City
Composer/Core Source
Region	United States
Genre/Style	Military
Meter/Rhythm	March/Marche
Key/Tonic of	D
Accidental	2 sharps
Mode	Ionian (Major)
Time signature	2/4
History	USA/Mid-Atlantic"USA/Mid-Atlantic" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
Structure	AABB
Editor/Compiler	Biography:Samuel Bayard
Book/Manuscript title	Book:Dance to the Fiddle March to the Fife
Tune and/or Page number	No. 322A, p. 281
Year of publication/Date of MS	1981
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

BUNKER HILL [1]. AKA and see "Dead March," "A Drag," "Harrison City." American, Quickstep (2/4 time). Southwestern Pa. D Major. Standard tuning (fiddle). AABB. Bayard (1981) identifies this tune as adapted from a work of classical music, namely von Weber's "Huntsman's Chorus" from the third act of his opera Der Freishutz. The tune entered folk tradition, and kept the title "Huntsman's/Huntsmen's/Hunter's Chorus" in England. It was well-known as a martial tune by Pennsylvania fifers who at some point named it after the Revolutionary War battle, and its operatic origins and name were forgotten.

Source for notated version: a manuscript by fifer Thomase Hoge (Greene County, Pa., 1944) [Bayard].

Printed source: Bayard (Dance to the Fiddle), 1981; No. 322A, p. 281.

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@@ Line 3: / Line 3: @@
 |f_aka=Dead March, 'A' Drag, Harrison City
 |f_country=United States
-|f_rhythm=Reel (single/double)
+|f_genre=Military
+|f_rhythm=March/Marche
+|f_time_signature=2/4
 |f_key=D
 |f_accidental=2 sharps
 |f_mode=Ionian (Major)
+|f_history=<b>USA</b>/Mid-Atlantic
 |f_structure=AABB
 |f_book_title=Dance to the Fiddle March to the Fife
 |f_collector=Samuel Bayard,
 |f_year=1981
 |f_page=No. 322A, p. 281
@@ Line 15: / Line 18: @@
 }}
 <p><font face="garamond, serif" size="4">
-'''BUNKER HILL [1]'''. AKA and see "Dead March," "A Drag," "Harrison City." American, Reel. Southwestern Pa. D Major. Standard tuning (fiddle). AABB. Bayard (1981) identifies this tune as adapted from a work of classical music, namely von Weber's "Huntsman's Chorus" from the third act of his opera Der Freishutz. The tune entered folk tradition, and kept the title "Huntsman's/Huntsmen's/Hunter's Chorus" in England. It was well-known as a martial tune by Pennsylvania fifers who at some point named it after the Revolutionary War battle, and its operatic origins and name were forgotten.
+'''BUNKER HILL [1]'''. AKA and see "Dead March," "A Drag," "Harrison City." American, Quickstep (2/4 time). Southwestern Pa. D Major. Standard tuning (fiddle). AABB. Bayard (1981) identifies this tune as adapted from a work of classical music, namely von Weber's "Huntsman's Chorus" from the third act of his opera Der Freishutz. The tune entered folk tradition, and kept the title "Huntsman's/Huntsmen's/Hunter's Chorus" in England. It was well-known as a martial tune by Pennsylvania fifers who at some point named it after the Revolutionary War battle, and its operatic origins and name were forgotten.
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