Bury Fair

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|f_structure=ABCD

|f_book_title=Country Dance Tunes

|f_collector=Cecil Sharp,

|f_year=1909

|f_page=p. 75

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}}

'''BURY FAIR'''. English, Country Dance Tune (2/2 time). F Major. Standard tuning (fiddle). ABCD (Sharp): AABBC (Barnes). "Bury Fair" first appears in Henry Playford's '''Dancing Master''', 9th edition (London, 1698). It appeared in all subsequent editions of the '''Dancing Master'' through the eighteenth and last, published in 1728. The Walsh's also printed it in their '''Compleat Country Dancing Master''' volumes of 1718, 1731 and 1754. The melody was used as the vehicle for songs in a number of ballad operas of the early 18th century, including '''Polly''' (1729), '''The Wedding''' (1729), '''The Devil of a Duke, or Trapolin's Vagaries''' (1732), '''The Fashionable Lady, or Harlequin's Opera''' (1730), and '''Sancho at Court, or the Mock Governor''' (1748). It is one of the "lost tunes" of William Vickers' 1770 Northumbrian dance tune manuscript, and London musician Thomas Hammersley included it in his music copybook of c. 1790.

'''BURY FAIR'''. English, Country Dance Tune (2/2 time). F Major. Standard tuning (fiddle). ABCD (Sharp): AABBC (Barnes). "Bury Fair" first appears in Henry Playford's '''Dancing Master''', 9th edition (London, 1698). It appeared in all subsequent editions of the '''Dancing Master'' through the eighteenth and last, published in 1728. The Walsh's also printed it in their '''Compleat Country Dancing Master''' volumes of 1718, 1731 and 1754. The melody was used as the vehicle for songs in a number of ballad operas of the early 18th century, including '''Polly''' (1729), '''The Wedding''' (1729), '''The Devil of a Duke, or Trapolin's Vagaries''' (1732), '''The Fashionable Lady, or Harlequin's Opera''' (1730), and '''Sancho at Court, or the Mock Governor''' (1748). It is one of the "lost tunes" of William Vickers' 1770 Northumbrian dance tune manuscript, and London musician Thomas Hammersley included it in his music copybook of c. 1790. Frank Kidson thought "Bury Fair" probably related to Bury St. Edmonds, which seems true, as that is the setting in Thomas Shadwell's comedy '''Bury Fair''', produced in 1689 featuring the country bumpkin character Oldwit.

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@@ Line 10: / Line 10: @@
 |f_structure=ABCD
 |f_book_title=Country Dance Tunes
 |f_collector=Cecil Sharp,
 |f_year=1909
 |f_page=p. 75
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 }}
 <p><font face="garamond, serif" size="4">
-'''BURY FAIR'''. English, Country Dance Tune (2/2 time). F Major. Standard tuning (fiddle). ABCD (Sharp): AABBC (Barnes). "Bury Fair" first appears in Henry Playford's '''Dancing Master''', 9th edition (London, 1698). It appeared in all subsequent editions of the '''Dancing Master'' through the eighteenth and last, published in 1728. The Walsh's also printed it in their '''Compleat Country Dancing Master''' volumes of 1718, 1731 and 1754. The melody was used as the vehicle for songs in a number of ballad operas of the early 18th century, including '''Polly''' (1729), '''The Wedding''' (1729), '''The Devil of a Duke, or Trapolin's Vagaries''' (1732), '''The Fashionable Lady, or Harlequin's Opera''' (1730), and '''Sancho at Court, or the Mock Governor''' (1748). It is one of the "lost tunes" of William Vickers' 1770 Northumbrian dance tune manuscript, and London musician Thomas Hammersley included it in his music copybook of c. 1790.
+'''BURY FAIR'''. English, Country Dance Tune (2/2 time). F Major. Standard tuning (fiddle). ABCD (Sharp): AABBC (Barnes). "Bury Fair" first appears in Henry Playford's '''Dancing Master''', 9th edition (London, 1698). It appeared in all subsequent editions of the '''Dancing Master'' through the eighteenth and last, published in 1728. The Walsh's also printed it in their '''Compleat Country Dancing Master''' volumes of 1718, 1731 and 1754. The melody was used as the vehicle for songs in a number of ballad operas of the early 18th century, including '''Polly''' (1729), '''The Wedding''' (1729), '''The Devil of a Duke, or Trapolin's Vagaries''' (1732), '''The Fashionable Lady, or Harlequin's Opera''' (1730), and '''Sancho at Court, or the Mock Governor''' (1748). It is one of the "lost tunes" of William Vickers' 1770 Northumbrian dance tune manuscript, and London musician Thomas Hammersley included it in his music copybook of c. 1790. Frank Kidson thought "Bury Fair" probably related to Bury St. Edmonds, which seems true, as that is the setting in Thomas Shadwell's comedy '''Bury Fair''', produced in 1689 featuring the country bumpkin character Oldwit.
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