Annotation:Kick a Dutchman: Difference between revisions
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'''KICK A DUTCHMAN'''. AKA and see "Put Your Little Foot." American, Waltz or Varsouvienne. C Major. Standard tuning (fiddle). AA'B. Same first strain (an international one) as that of tune called "[[Old Mazurka]]" in Bayard, 1981; No. 650, pp. 568-569. See also tunes "[[Varsoviana Waltz]]" and "[[Silver Lake Varsoviana]]" for other usages of the strain. Ford collected many tunes in the Midwest, primarily in Missouri, and may have had "Kick a Dutchman" from Midwest sources. Certainly Missouri tradition was to call all German-speaking people "Dutch", similar to other parts of the country (e.g. calling the Amish "Pennsylvania Dutch"). | '''KICK A DUTCHMAN'''. AKA and see "[[Put Your Little Foot]]." American, Waltz or Varsouvienne. C Major. Standard tuning (fiddle). AA'B. Same first strain (an international one) as that of tune called "[[Old Mazurka]]" in Bayard, 1981; No. 650, pp. 568-569. See also tunes "[[Varsoviana Waltz]]" and "[[Silver Lake Varsoviana]]" for other usages of the strain. Ford collected many tunes in the Midwest, primarily in Missouri, and may have had "Kick a Dutchman" from Midwest sources. Certainly Missouri tradition was to call all German-speaking people "Dutch", similar to other parts of the country (e.g. calling the Amish "Pennsylvania Dutch"). | ||
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Revision as of 02:21, 6 May 2012
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KICK A DUTCHMAN. AKA and see "Put Your Little Foot." American, Waltz or Varsouvienne. C Major. Standard tuning (fiddle). AA'B. Same first strain (an international one) as that of tune called "Old Mazurka" in Bayard, 1981; No. 650, pp. 568-569. See also tunes "Varsoviana Waltz" and "Silver Lake Varsoviana" for other usages of the strain. Ford collected many tunes in the Midwest, primarily in Missouri, and may have had "Kick a Dutchman" from Midwest sources. Certainly Missouri tradition was to call all German-speaking people "Dutch", similar to other parts of the country (e.g. calling the Amish "Pennsylvania Dutch").
Source for notated version:
Printed sources: Ford (Traditional Music in America), 1940; p. 136.
Recorded sources:
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