Annotation:Lady Madelina Sinclair (1): Difference between revisions
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Alan Snyder's Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t1903.html]<br> | Alan Snyder's Cape Breton Fiddle Recording Index [http://www.cbfiddle.com/rx/tune/t1903.html]<br> | ||
Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/l01.htm#Ladmasi]<br> | Jane Keefer's Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/l01.htm#Ladmasi]<br> | ||
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Revision as of 22:23, 8 July 2012
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LADY MADELINA SINCLAIR. AKA - "Lady Madeline Sinclair." AKA and see "Braes of Aberarder." Scottish, Strathspey. A Major (most versions): G Major (Kennedy, Surenne). Standard tuning (fiddle). AB (Hardie, Kerr, Surenne): AAB (Athole, Glen, Gow, Honeyman, Hunter, Kennedy, Martin, Skye). Lady Madelina Sinclair (1772-1847) was the second daughter of Alexander, 4th Duke of Gordon, and William Marshall's employer and patron. Her second husband was named Charles Fyshe Palmer Esq. (see note for "Lady Madelina Palmer") of Luckley Hall, Berkshire, whom she wed in 1804, however, her first husband was Sir Robert Sinclair of Murtle, who died in 1795 when she was twenty-three. According to Mary Robinson (Beaux and Belles of England), the daughters of Alexander and his wife Jane, the Duchess of Gordon, were far less beautiful than their mother. It was "to her skilful diplomacy alone" that they married well and into fortune. "Lady Madeline was not handsome," writes Robinson, "but (was) extremely agreeable, animated, and intellectual. Among her other conquests was the famous Samuel Parr, of Hatton, who used to delight in sounding her praises, and recording her perfections with much of that eloquence which is now fast dying out of remembrance..." Palmer became the M.P. for Reading between 1818 and 1837. Madelina is buried with her second husband in St James's Church, Finchampstead, Berkshire, England.
MacDonald, in his Skye Collection, repeats the composer credit Niel Gow (1727-1807) awarded himself that appears in the Gow's Third Collection of Strathspey Reels of 1792. However, Charles Duff had a prior claim to authorship of (at least a prototype of) the tune under the title "Braes of Aberarder," which he earlier published in 1790 (Emmerson, 1971). The tune also appears in Angus MacKay's c. 1840's collection of pipe tunes. Christine Martin (2002) notes the tune is the vehicle for a popular Scots song (albeit with sometimes bawdy words) in the Gaelic puirt a beul tradition, called "A' bhean a bh'aig an taillear chaol" (The skinny tailor's wife).
Source for notated version:
Printed sources: Carlin (Gow Collection), 1986; No. 100. Glen (The Glen Collection of Scottish Dance Music), vol. 1, 1891; p. 25. Gow (Third Collection of Niel Gow's Reels), 1792; p. 3 (3rd ed.). Hardie (Caledonian Companion), 1986; p. 29. Honeyman (Strathspey, Reel and Hornpipe Tutor), 1898; p. 19. Hunter (The Fiddle Music of Scotland), 1988; No. 133. Kennedy (Traditional Dance Music of Britain and Ireland: Reels and Rants), 1997; No. 93, p. 24. Kerr (Merry Melodies), vol. 2; No. 7, p. 4. MacDonald (The Skye Collection), 1887; p. 4. Martin (Traditional Scottish Fiddling), 2002; p. 77. Petrie (Third Collection of Strathspey Reels with a Bass for the Violoncello or piano forte), 1800; p. 18. Stewart-Robertson (The Athole Collection), 1884; p. 11. Surenne (Dance Music of Scotland), 1852; pp. 40-41.
Recorded sources: Greentrax Recordings CDTRAX 9009, Donald MacDonell (1888-1967) - "Scottish Tradition 9: The Fiddler and His Art" (1993). Greentrax CDTRAX, Deaf Shpherd - "Even in the Rain" (). Rounder 7059, Alex Francis MacKay with Gordon MacLean - "Gaelic in the Bow" (2005). Ron Gonella - "Scottish Violin Music" (1966). "The Caledonian Companion" (1975). Deaf Shepherd - "Even in the Rain."
See also listings at:
Alan Snyder's Cape Breton Fiddle Recording Index [1]
Jane Keefer's Folk Music Index: An Index to Recorded Sources [2]
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