Birks of Abergeldie (The)

X:1
T:Berks of Abergelde
M:C|
L:1/8
R:Country Dance
B:Wright's Compleat Collection of Celebrated Country Dances (1740, p. 42)
Z:AK/Fiddler's Companion
K:F
F3G A2c2|f4 e2d2|f4 e2d2|(ef g2) g2a2|
F3G A2c2|f3g a2g2|f2d2 (c2 BA)|G4 d4:|
|:F3G A2c2|c2F2d2F2|c2F2d2F2|dcBA G3G|
F3G A2c2|f3g (ag)(fe)|(fe)(dc) (dc)(BA)|G4 d4:|]

X:1
T:Berks of Abergelde
M:C|
L:1/8
R:Country Dance
B:John Walsh - Caledonian Country Dances (c. 1745, p. 83)
N:Published in London in several volumes and editions 1731-c. 1745
Z:AK/Fiddler's Companion
K:F
F>G Ac f2 ed|f2 ed e/f/g cc|F>G Ac f>g ag|fdcA G/G/G d2:|
|:F>G AB cF A/B/c/A/|dF A/B/c/A/ d/c/B/A/ Gd|F>G Ac f>g ag|fd cA G/G/G d2:|]

X:2
T:De'el's Dead, The
M:2/4
L:1/8
B:Thompson's Compleat Collection of 200 Favourite Country Dances, vol. 2 (London, 1765)
Z:Transcribed and edited by Fynn Titford-Mock, 2007
Z:abc's:AK/Fiddler's Companion 
K:F
FG Ac|f2 ed|f2 ed|f2a2|
FG Ac|f>ga>g|fdcA|G2d2:|
|:FGAB|cF (A/B/c/A/)|cF (A/B/c/A/)|d/c/B/A/ G2|
FGAc|f>ga>g|fdcA|G2d2:||

X:3
T:The Birk's of Abergeldy
S:Petrie's Second Collection of Strathspey Reels and Country Dances &c.
Z:Steve Wyrick <sjwyrick'at'astound'dot'net>, 6/11/04
N:Petrie's Second Collection, page 18
% Gore's Index gives earliest publication as Neil Stewart's 
% "Collection of the Newst & Best R. or C.D.s for VnÉ." Edinburgh 1761
L:1/8
M:C|
R:Reel
K:F
FGAc f2(fd)|f2(fd) (e/f/g) (f/g/a)|FGAc (f/e/f/g/) (ag)|f(dTcA) G2d2:|
(FGA)f cFAF|cFAc (d/c/B/A/) GA|FGAc fgag|f(dTcA) G2d2 |
(FGA)f cfAf|cfAf (d/c/B/A/) GA|FGAc (f/e/f/g/) ag |f(dTcA) G2d2|]

X:4
T:Birks of Abergeldie
M:C|
L:1/8
R:Reel
B:James Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 3 (Glasgow, 1788, No. 429, p. 166)
N:”Humbly dedicated to the Volunteers and Defensive Bands of Great Britain and Ireland”
Z:AK/Fiddler’s Companion
K:G
GABd g2 ge|g2 ge g>a g/a/b|GABd g>aba|gedB A2d2:|
|:G>ABg dGBG|dGBd e/d/c/B/ AB|G>ABd g>aba|geTdB A2e2|
G>ABg d>gB>g|d>GB>g e/d/c/B/ AB|G>ABd g>aba|gedB A2e2:|]

X:5
T:Birks of Abergeldy
M:C|
L:1/8
R:Reel
B:Stewart-Robertson - The Athole Collection  (1884)
Z:AK/Fiddler's Companion
K:F
FGAc ~f2 f>c|~f2 fa gfga|FGAc ~fgag|~fdcA G2d2:|
FGAd dFAF|cFAc d/c/B/A/ GA|FGAc ~fgag|~fdcA G2d2|
FGAf cfAf|cfAc d/c/B/A/ GA|FGAc ~fgag|~fdcA G2d2||

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BIRKS OF ABERGELDIE. AKA and see "Bonnie Lassie Will You Go," "Cast a Bell," "De'els Dead (The)." AKA - "Birks of Aberfeldy." Scottish, Strathspey. D Major (Kerr, Neil): F Major (Athole, Bremner, Gow): G Major (Howe, Jones, Kennedy, O'Farrell). Standard tuning (fiddle). One part (Howe): AAB (Athole, Gow, Jones, O'Farrell): AABB (Bremner, Kennedy, Kerr, Neil). The usual meaning of the Scots word birk is of a birch tree, or a small wood of birch trees. In this case, the 'birks of Abergeldie' (or Aberfeldie) is a placename in Perthshire, Scotland. The tune appears in a notebook of six pages of country dances called the Holmain Manuscript (1710-50) and in Walsh's Third Book of the Compleat Country Dancing-Master (1735). Somewhat later it appears in Bremner's 1757 collection (p. 35), the Caledonian Pocket Companion of 1760, and the Gillespie Manuscript (1768). Neil (1991), however, remarks that the melody first appears in Playford's Dancing Master of 1657 under the title "Scotch Ayre (A)" (it also appears in later editions). It was later republished by Playford in his 1700 collection of Scottish dance tunes under the title "Berks of Abergeldie (The)." As with many fashionable tunes it attracted other titles: London publishers Charles and Samuel Thompson included it in their Compleat Collection of 200 Favourite Country Dances, vol. 2 (1765) under the title "De'els Dead (The);" it was printed by Wright in his Compleat Collection of Celebrated Country Dances (1740) as both "Berks of Abergelde" and "Cast a Bell"; and as "Bonnie Lassie Will You Go" in the Scots Musical Museum, vol. 2 (1788).

Poet Robert Burns set lyrics to the melody inspired while standing under the Falls of Moness on a 1787 Highlands excursion with his friend William Nicol. The classical composer Franz Joseph Haydn fashioned an arrangement of the tune, although Purser (1992) is of the opinion that his effort fails, as do those of other non-Scottish classical composers of the time who try to set Scottish music: "...it seems that they gild lillies with great skill, intrusive harmonies, and foolishly fussy harpsichord accompaniment."

Printed sources: Aird (A Selection of Scotch, English, Irish and Foreign Airs), vol. III, 1788; No. 429, p. 166. Bremner (Scots Reels), c. 1757; p. 35. Gow (Complete Repository), Part 1, 1799; p. 26. Howe (1000 Jigs and Reels), c. 1867; p. 127. Jones [Ed.] (Complete Tutor Violin), c. 1815; p. 12. Kennedy (Traditional Dance Music of Britain and Ireland: Rants & Reels), 1997; No. 5, p. 4 (appears as "Birks of Aberfeldy"). Kerr (Merry Melodies), vol. 3; No. 7, p. 4. Neil (The Scots Fiddle), 1991; No. 104, p. 140. O'Farrell (Pocket Companion, vol. III), c. 1808; p. 18. Petrie (Second Collection of Strathspey Reels and Country Dances), 1796; p. 18. Stewart-Robertson (The Athole Collection), 1884; p. 209. Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 2), 1765; No. 189 (appears as "The De'el's Dead"). Wright (Wright's Compleat Collection of Celebrated Country Dances), 1740; p. 42 (appears as "Berks of Abergelde").

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