Butterfly (3) (The): Difference between revisions

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'''BUTTERFLY [3], THE'''. AKA and see "Óró, a Thaidhg, a Ghrá," "Skin the Peeler(s)." Irish, Slip Jig. E Minor/Dorian. Standard tuning (fiddle). AABBCC. Composition of the "The Butterfly" is credited to the late fiddler Tommy Potts, who knew the first two parts of the tune from his father, Sean, an Uilleann piper (the two-part tune appears in Coles 1000 as "Skin the Peeler" and "Barney's Goat"). Caoimhin Mac Aoidh gives that Potts was working in his garden one day when he noticed the erratic flight of a butterfly flitting about. Intrigued, Potts tried to mimick the rhythm of the insect while he continued to work in the garden, and was inspired to come up with the third part of the tune. The first two existing parts were altered rhythmically to fit. It has become a commonly heard tune at sessions, to the dismay of many who find overplaying has made it unpalatable. The tune is called "Skin the Peeler" by Highland bagpipers. "Barney's Goat" resembles the second and third parts of the slip jig. "Óró a Thaidhg a Ghrá" and "Stoneybatter" are related tunes.  
'''BUTTERFLY [3], THE'''. AKA and see "[[Óró a Thaidhg a Ghrá]]," "[[Skin the Peeler]](s)." Irish, Slip Jig. E Minor/Dorian. Standard tuning (fiddle). AABBCC. Composition of the "The Butterfly" is credited to the late fiddler Tommy Potts, who knew the first two parts of the tune from his father, Sean, an Uilleann piper (the two-part tune appears in '''Cole's 1000''' as "[[Skin the Peeler]]" and "Barney's Goat"). Caoimhin Mac Aoidh gives that Potts was working in his garden one day when he noticed the erratic flight of a butterfly flitting about. Intrigued, Potts tried to mimick the rhythm of the insect while he continued to work in the garden, and was inspired to come up with the third part of the tune. The first two existing parts were altered rhythmically to fit. It has become a commonly heard tune at sessions, to the dismay of many who find overplaying has made it unpalatable. The tune is called "[[Skin the Peeler]]" by Highland bagpipers. "[[Barney's Goat]]" resembles the second and third parts of the slip jig. "[[Óró a Thaidhg a Ghrá]]" and "[[Stoneybatter]]" are related tunes.  
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Revision as of 03:07, 11 September 2012


Butterfly (3) (The)  Click on the tune title to see or modify Butterfly (3) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Butterfly (3) (The)
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 Theme code Index    53b2 53b2
 Also known as    Óró a Thaidhg a Ghrá, Skin the Peeler, Skin the Peelers
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    
 Key/Tonic of    E
 Accidental    2 sharps
 Mode    Dorian
 Time signature    9/8
 History    
 Structure    AABBCC
 Editor/Compiler    Biography:Bulmer & Sharpley
 Book/Manuscript title    Book:Music from Ireland vol. 3
 Tune and/or Page number    No. 79
 Year of publication/Date of MS    1974
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


BUTTERFLY [3], THE. AKA and see "Óró a Thaidhg a Ghrá," "Skin the Peeler(s)." Irish, Slip Jig. E Minor/Dorian. Standard tuning (fiddle). AABBCC. Composition of the "The Butterfly" is credited to the late fiddler Tommy Potts, who knew the first two parts of the tune from his father, Sean, an Uilleann piper (the two-part tune appears in Cole's 1000 as "Skin the Peeler" and "Barney's Goat"). Caoimhin Mac Aoidh gives that Potts was working in his garden one day when he noticed the erratic flight of a butterfly flitting about. Intrigued, Potts tried to mimick the rhythm of the insect while he continued to work in the garden, and was inspired to come up with the third part of the tune. The first two existing parts were altered rhythmically to fit. It has become a commonly heard tune at sessions, to the dismay of many who find overplaying has made it unpalatable. The tune is called "Skin the Peeler" by Highland bagpipers. "Barney's Goat" resembles the second and third parts of the slip jig. "Óró a Thaidhg a Ghrá" and "Stoneybatter" are related tunes.

Printed source: Barnes (English Country Dance Tunes, vol. 2), 2005; p. 47 (appears as "The Friendly Brooke", the name of a country dance by Chris Sackett written in 2001 to the tune). Bulmer & Sharpley (Music from Ireland), 1974, vol. 3, No. 79. Mallinson (Enduring), 1995; No. 91, p. 38. Tubridy (Irish Traditional Music, vol. 1), 1999; p. 38.

Recorded sources: Green Linnett SIF3011, The Bothy Band - "1975." North Star NS0031, "Dance Across the Sea: Dances and Airs from the Celtic Highlands" (1990). Tommy Potts - "The Liffey Banks." Paddy Glackin & Jolyon Jackson - "On Hidden Ground."


X:1
T:The Butterfly [3]
L:1/8
M:9/8
K:Emin
|: "Em"B2E G2E F3 | "Em"B2E G2E "Bm"FED | "Em"B2E G2E FGA | 
"G"B2d d2B "D"AFA | "Em"B2E G2E F3 | "C"B2E G2E FED | "C#/A"B2E G2E FGA | 
"D"B2d d2B AFA || "Cmaj7"B2d e2f g3|"Cmaj7"B2d g2e "Bm"dBA | 
"Cmaj7"B2d e2f g2a | "Cmaj7"b2a g2e "Bm"dBA  | "Cmaj7"B2d e2f g3 |
"Cmaj7"B2d g2e "Bm"dBA | "Cmaj7"B2d e2f "Bm"g2a | "Am"b2a g2e "D#B7"dBA ||
|: "Em"B3 B2A G2A | "Em"B3 BAB "Bm"dBA | "Cmaj7"B3 B2A G2A | "Am"B2d g2e "D"dBA :||


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