Copenhagen Waltz: Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Copenhagen Waltz
|f_tune_title=Copenhagen Waltz
|f_country=England, Scotland, United States
|f_genre=English, Scottish
|f_rhythm=Waltz/Valse/Vals
|f_rhythm=Waltz/Valse/Vals
|f_time_signature=3/4
|f_time_signature=3/4
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|f_structure=AABBCC
|f_structure=AABBCC
|f_book_title=Complete Preceptor for the Accordeon
|f_book_title=Complete Preceptor for the Accordeon
|f_collector=Elias Howe,  
|f_collector=Elias Howe,
|f_year=1843
|f_year=1843
|f_page=p. 22
|f_page=p. 22

Revision as of 05:01, 16 September 2010


Copenhagen Waltz  Click on the tune title to see or modify Copenhagen Waltz's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Copenhagen Waltz
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 Theme code Index    4H3H2H 3H1H3H
 Also known as    
 Composer/Core Source    
 Region    England, Scotland, United States
 Genre/Style    English, Scottish
 Meter/Rhythm    Waltz/Valse/Vals
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AABBCC
 Editor/Compiler    Elias Howe
 Book/Manuscript title    Book:Complete Preceptor for the Accordeon
 Tune and/or Page number    p. 22
 Year of publication/Date of MS    1843
 Artist    Biography:Mellstock Band (The)
 Title of recording    Dance at Pheonix: Village Band Music from Hardy's Wessex and Beyond
 Record label/Catalogue nr.    Beautiful Jo BEJOCD-28
 Year recorded    
 Media    
 Score   ()   


COPENHAGEN WALTZ. English, Scottish, American; Waltz (3/4 or 3/8 time). G Major (O'Farrell, Raven): C Major (Howe/Accordeon, Linscott, Plain Brown): D Major (Ashman, Howe/Diamond, Kennedy, Kerr, Miller, Plain Brown, Sumner). Standard tuning. ABC (Plain Brown): AABBC (Howe/Accordeon): AABBCC (most versions). "('Copenhagen Waltz' is a) ...melody characteristic of the 18th century, says Linscott, although in fact it was a quite popular tune dating from the beginnings of the fad for waltzes in the early part of the 19th century. The melody appears in numerous fiddlers' manuscripts throughout the 19th century and was even collected in tradition as late as the 1950's, in Yorkshire (the fiddle playing of Billy Pennock, recorded in 1953 by PK Goathland).

Sources for notated versions: a c. 1837-1840 MS by Shropshire musician John Moore [Ashman]; the 1823-26 music ms. of papermaker and musician Joshua Gibbons (1778-1871, of Tealby, near Market Rasen, Lincolnshire Wolds) [Sumner].

Printed sources: Ashman (The Ironbridge Hornpipe), 1991; No. 34, p. 11. Howe (Complete Preceptor for the Accordeon), 1843; p. 22. Howe (Diamond School for the Violin), c. 1861. Kennedy (Fiddler's Tune-Book: Slip Jigs and Waltzes), 1999; No. 110, p. 26. Kerr (Merry Melodies), vol. 1; No. 9, pg. 51. Linscott (Folk Songs of Old New England), 1939; p. 119. Miller (Fiddler's Throne), 2004; No. 365, p. 215. O'Farrell (Pocket Companion, vol. IV), c. 1810; p. 141. Plain Brown Tune Book, 1997; pp. 6 & 23 (includes variations). Raven (English Country Dance Tunes), 1984; p. 134. Sumner (Lincolnshire Collections, vol. 1: The Joshua Gibbons Manuscript), 1997; p. 79 (originally set in the key of 'C' major in the ms.). Wilson (Companion to the Ballroom), 1816; p. 152.

Recorded source: BEJOCD-28, The Mellstock Band - "The Dance at Pheonix: Village Band Music from Hardy's Wessex and Beyond" (based on a three-part setting in a book compiled by Joshua Gibbons of Market Rasen in the 1830's).


X:1
T:Copenhagen Waltz
L:1/8
M:3/4
S:Elias Howe - Diamond School for the Violin
Z:AK/Fiddler's Companion
K:D
fa|gb fa eg|fa d2 fa|eg A2 ce|df A2 fa|gb fa eg|fa d2 fa|eg A2ce|d4:|
|:fa|eg A2 ce|df A2fa|eg A2 ce|df A2 fa|gb fa eg|fa d2 fa|eg A2 ce|d4:|
|:a2|b2a2f2|d4 a2|b2a2f2|e4 a2|b2a2f2|dcdfaf|agfgec|d4:||


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