Constitution Hornpipe (1): Difference between revisions

Revision as of 03:35, 30 September 2010

Constitution Hornpipe (1) Click on the tune title to see or modify Constitution Hornpipe (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Constitution Hornpipe (1) Query the Archive
Theme code Index	1H1H1H3H 2H2H2H4H
Also known as	Lone Appendicitis
Composer/Core Source
Region	United States
Genre/Style	Contra
Meter/Rhythm	Hornpipe/Clog, Reel (single/double)
Key/Tonic of	F
Accidental	1 flat
Mode	Ionian (Major)
Time signature	4/4
History
Structure	AABB
Editor/Compiler	Biography:William Bradbury Ryan
Book/Manuscript title	Book:Ryan's Mammoth Collection
Tune and/or Page number	p. 153
Year of publication/Date of MS	1883
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

CONSTITUTION HORNPIPE [1]. AKA and see "Lone Appendicitis." American, Canadian; Hornpipe or Breakdown. USA, New England, Nebraska. Canada, Cape Breton Nova Scotia. F Major. Standard tuning (fiddle). AABB (most versions): AA'BB' (Kerr). The tune was perhaps named for the American naval vessel The Constitution, of the War of 1812 fame. The square-rigged ship still exists and is on display in Boston harbor. Christeson (1973) says the original version, as published in older tune books, is more difficult to play than the one he collected, and Bayard's (1981) source also thought the tune strenuous, saying "If you think that's not hard to play, just try it!" The first strain is also the same as the "Jinrikisha Hornpipe" and, in simplified form, Huntington's 3rd tune on his pg. 23. (Cole, p. 93). The first strain shares some melodic material with the first strain of Frank Roche's "Black Horse [1]."

Sources for notated versions: Bob Walters (Burt County, Nebraska) [Christeson]; Winston Fitzgerald (Cape Breton, Nova Scotia) [Phillips].

Printed sources: Bayard (Dance to the Fiddle), 1981; No. 138, pp. 75-76. R.P. Christeson (Old Time Fiddlers Repertory, vol. 1), 1973; No. 116, p. 83. Cole (1000 Fiddle Tunes), 1940; p. 116. Ford (Traditional Music in America), 1940; p. 95. Harding's All-Round Collection, 1905; No. 77. Jarman, Old Time Fiddlin' Tunes; No. or p. 28. Kerr (Merry Melodies), vol. 2; No. 336, p. 37. Messer (Anthology of Favorite Fiddle Tunes), 1980; No. 14. Miller & Perron (New England Fiddlers Repertoire), 1983; No. 103. O'Malley, 1919; p. 19. Phillips (Traditional American Fiddle Tunes), vol. 2, 1995; p. 186. Ryan's Mammoth Collection, 1883; p. 153. White's Unique Collection, 1896; No. 139.

X:1
T:Constitution Hornpipe
M:C|
L:1/8
K:F
f2f2 fc af|g2g2 gc bg|ag fe dB ba|gf ga gc de|
f2f2 fc af|g2g2 gc bg|ag fe db ge|f2a2f2c2:|
|:Ac fc af cA|Bd fd bf dB|ce ge bg eg|fa gf ed cB|
Ac fc af cA|Bd fd bf df|ce ge bg eg|f2A2f2c2:||

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-'''CONSTITUTION HORNPIPE [1]'''. AKA and see "Lone Appendicitis." American, Canadian; Hornpipe or Breakdown. USA, New England, Nebraska. Canada, Cape Breton Nova Scotia. F Major. Standard tuning (fiddle). AABB (most versions): AA'BB' (Kerr). The tune was perhaps named for the American naval vessel The Constitution, of the War of 1812 fame. The square-rigged ship still exists and is on display in Boston harbor. Christeson (1973) says the original version, as published in older tune books, is more difficult to play than the one he collected, and Bayard's (1981) source also thought the tune strenuous, saying "If you think that's not hard to play, just try it!" The first strain is also the same as the "Jinrikisha Hornpipe" and, in simplified form, Huntington's 3rd tune on his pg. 23. (Cole, p. 93).
+'''CONSTITUTION HORNPIPE [1]'''. AKA and see "Lone Appendicitis." American, Canadian; Hornpipe or Breakdown. USA, New England, Nebraska. Canada, Cape Breton Nova Scotia. F Major. Standard tuning (fiddle). AABB (most versions): AA'BB' (Kerr). The tune was perhaps named for the American naval vessel The Constitution, of the War of 1812 fame. The square-rigged ship still exists and is on display in Boston harbor. Christeson (1973) says the original version, as published in older tune books, is more difficult to play than the one he collected, and Bayard's (1981) source also thought the tune strenuous, saying "If you think that's not hard to play, just try it!" The first strain is also the same as the "Jinrikisha Hornpipe" and, in simplified form, Huntington's 3rd tune on his pg. 23. (Cole, p. 93). The first strain shares some melodic material with the first strain of Frank Roche's "Black Horse [1]."
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