Annotation:Liza Jane (5): Difference between revisions
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''Recorded sources'': <font color=teal>Berea College Appalachian Center AC002, Clyde Davenport - "Puncheon Camps " (1992). </font> | ''Recorded sources'': <font color=teal>Berea College Appalachian Center AC002, Clyde Davenport - "Puncheon Camps " (1992). </font> | ||
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See also listing at:<br> | |||
Hear Clyde Davenport play the tune at Berea Digital Content [http://cdm16020.contentdm.oclc.org/cdm/singleitem/collection/p15131coll4/id/1541/rec/10]<br> | |||
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Revision as of 15:36, 16 November 2012
Back to Liza Jane (5)
LIZA JANE [5]. Old-Time, Breakdown. USA; Tennessee, Kentucky. G Major. Standard tuning (fiddle). AABB. A variant of "Liza Jane (4)." Titon (2001) writes that Davenport's "Liza Jane" demonstrates considerable African influences with its strong syncopation. He notes the title was a popular one in the lists of tunes played at the Berea, Kentucky, fiddle contests during the second decade of the 20th century.
Source for notated version: Clyde Davenport (Monticello, Wayne County, Ky.), who learned the tune from his father Will Davenport, a Tennessee fiddler [Phillips].
Printed sources: Phillips (Traditional American Fiddle Tunes), vol. 1, 1994; p. 145. Titon (Old-Time Kentucky Fiddle Tunes), 2001; No. 94, p. 123.
Recorded sources: Berea College Appalachian Center AC002, Clyde Davenport - "Puncheon Camps " (1992).
See also listing at:
Hear Clyde Davenport play the tune at Berea Digital Content [1]
Back to Liza Jane (5)