Aald Hill Grin(n)d, Da: Difference between revisions

Revision as of 05:43, 1 March 2010

Aald Hill Grin(n)d, Da Click on the tune title to see or modify Aald Hill Grin(n)d, Da's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Aald Hill Grin(n)d, Da Query the Archive
Theme code Index
Also known as
Composer/Core Source
Region	Scotland
Genre/Style	Shetland/Orkney
Meter/Rhythm	Jig/Quadrille
Key/Tonic of	G
Accidental	1 sharp
Mode	Ionian (Major)
Time signature	6/8
History	Scotland/Shetland/Orkney"Scotland/Shetland/Orkney" is not in the list (IRELAND(Munster), IRELAND(Connaught), IRELAND(Leinster), IRELAND(Ulster), SCOTLAND(Argyll and Bute), SCOTLAND(Perth and Kinross), SCOTLAND(Dumfries and Galloway), SCOTLAND(South Ayrshire), SCOTLAND(North East), SCOTLAND(Highland), ...) of allowed values for the "Has historical geographical allegiances" property.
Structure	One part
Editor/Compiler	Biography:Anderson & Georgeson
Book/Manuscript title	Book:Da Mirrie Dancers
Tune and/or Page number	p. 10
Year of publication/Date of MS	1970
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

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© 1996-2010 Andrew Kuntz. All Rights Reserved.
Engraved by Valerio M. Pelliccioni

Descriptive information

@@ Line 14: / Line 14: @@
 |f_year=1970
 |f_page=p. 10
-|f_annotations=This traditional tune was originally collected without a title and later named by a founder member of the Shetland Folk Society, Peter Moar. However, its Shetland provenance is somewhat in doubt as it was published as "The Nut" in Kerr's Collection of Reels and Strathspeys. Anderson and Georgeson transcribed their tune from the playing of J.J. Stickle (Unst, Shetland), and note the melody can be used as the vehicle for a Boston two-step.
+|f_annotations=This traditional tune was originally collected without a title and later named by a founder member of the Shetland Folk Society, Peter Moar. However, its Shetland provenance is somewhat in doubt as it was published as "The Nut" in Kerr's Collection of Reels and Strathspeys (n.d.). Anderson and Georgeson transcribed their tune from the playing of John "J.J." Stickle (1875-1957, Unst, Shetland), and note the melody can be used as the vehicle for a Boston two-step. Stickle was the grandson of Fredamond Stickle, an influential fiddler whose origins are somewhat obscure, but who is remembered for his "Christmas Day in the Morning," a tune he played in the Laird's house each year. John's repertoire was extensively collected by Patrick Shuldham-Shaw in 1946 and again in 1950 (see Journal of the English Folk Dance and Song Society, 1962, pg. 129).
 }}
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