Annotation:London Lasses (1): Difference between revisions

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LONDON LASSES [1] ("Cailinide/Cailíní Lungduin" or "Cailíní Londan"). AKA and see "Bird in the Cage," "Gardiner's Favourite (2)," "John McKenna's (1)," "Maid in the Rushes (The)," "Streams in the Valley," "Turnpike Gate (2) (The)." Irish, Canadian; Reel. Canada, Cape Breton. G Major. Standard tuning (fiddle). AB (Dunlay & Reich, O'Neill): AABB (Dunlay & Greenberg, Tubridy): AA'BB' (Cranford, Harker/Rafferty). The melody was recorded by fiddler Paddy Cronin, piper Patsy Tuohy, and flute player Joe McKenna (the latter called it "Streams in the Valley"). The Cape Breton setting was popularized by the late Donald Angus Beaton, however it is clear from the transcriptions of his settings that he played the tune with parts in reverse order from those printed in O'Neill's Music of Ireland (1903). Dunlay and Greenberg (1996) note that Cape Breton fiddler John Campbell also played the tune with parts reversed from O'Neill's. There is another setting in Breathnach's CRÉ II, No. 170. "London Lasses" is often paired in a medley with "Galway Rambler (The)," perhaps in imitation of the 1937 recording by the Aughrim Slopes Ceili Band in Dublin. The "Flying Column (2) (The)" tune family has similarities to this melody.

Source for notated version: Donald Angus Beaton (Cape Breton, Nova Scotia) [Dunlay & Greenberg, Dunlay and Reich]; New Jersey flute player Mike Rafferty, born in Ballinakill, Co. Galway, in 1926 [Harker].

Printed sources: Breathnach (CRÉ II), 1975; No. 170. Cotter (Traditional Irish Tin Whistle Tutor), 1989; 63. Cranford (Jerry Holland's Collection), 1995; No. 171, p. 48. Dunlay & Greenberg (Traditional Celtic Violin Music of Cape Breton), 1996; 95. Dunlay and Reich (Traditional Celtic Fiddle Music of Cape Breton), 1986; p. 61. Harker (300 Tunes from Mike Rafferty), 2005; No. 29, p. 10. O'Neill (Krassen), 1976; p. 110. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1278, p. 240. O'Neill (Dance Music of Ireland: 1001 Gems), 1907; No. 546, p. 101. Shears (The Cape Breton Collection of Bagpipe Music), 1995. Taylor (Through the Half-door), 1992; No. 6, p. 6. Tubridy (Irish Traditional Music, vol. 1), 1999; p. 21.

Recorded sources: Cló Iar-Chonnachta CICD 167, Peter Horan & Gerry Harrington - "The Merry Love to Play" (2007). DAB4-1985, Donald Angus Beaton- "A Musical Legacy" (1985. Appears as "Traditional Reel"). Fiddlesticks cass. ACC-49397, Jerry Holland - "Fathers and Sons" (1992). Green Linnet SIF 1058, Matt Molloy & Seane Keane - "Contentment is Wealth" (1985). JC 127, John Campbell- "Cape Breton Violinist" (1983. Appears as "Traditional Reel"). SA93130, Donny LeBlanc - "Rosining Up the Bow" (1993). Shaskeen - "The Joys of Life." STEPH 1-94, Stephanie Wills - "Tradition Continued" (1994).

See also listings at:
Alan Snyder's Cape Breton Fiddle Recording Index []
Jane Keefer's Folk Music Index: An Index to Recorded Sources []
Alan Ng's Irishtune.info [1]

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-'''LONDON LASSES [1]''' ("Cailinide/Cailíní Lungduin" or "Cailíní Londan"). AKA and see "[[Bird in the Cage]]," "[[Gardiner's Favourite (2)]]," "[[John McKenna's (1)]]," "[[Maid in the Rushes (The)]]," "[[Streams in the Valley]]," "[[Turnpike Gate (2) (The)]]." Irish, Canadian; Reel. Canada, Cape Breton. G Major. Standard tuning (fiddle). AB (Dunlay & Reich, O'Neill): AABB (Dunlay & Greenberg, Tubridy): AA'BB' (Cranford, Harker/Rafferty). The melody was recorded by fiddler Paddy Cronin, piper Patsy Tuohy, and flute player Joe McKenna (the latter called it "[[Streams in the Valley]]"). The Cape Breton setting was popularized by the late Donald Angus Beaton, however it is clear from the transcriptions of his settings that he played the tune with parts in reverse order from those printed in O'Neill's '''Music of Ireland''' (1903). Dunlay and Greenberg (1996) note that Cape Breton fiddler John Campbell also played the tune with parts reversed from O'Neill's. There is another setting in Breathnach's CRÉ II, No. 170. "London Lasses" is often paired in a medley with "[[Galway Rambler (The)]]," perhaps in imitation of the 1937 recording by the Aughrim Slopes Ceili Band in Dublin. The "[[Flying Column (2)]]" tune family has similarities to this melody.
+'''LONDON LASSES [1]''' ("Cailinide/Cailíní Lungduin" or "Cailíní Londan"). AKA and see "[[Bird in the Cage]]," "[[Gardiner's Favourite (2)]]," "[[John McKenna's (1)]]," "[[Maid in the Rushes (The)]]," "[[Streams in the Valley]]," "[[Turnpike Gate (2) (The)]]." Irish, Canadian; Reel. Canada, Cape Breton. G Major. Standard tuning (fiddle). AB (Dunlay & Reich, O'Neill): AABB (Dunlay & Greenberg, Tubridy): AA'BB' (Cranford, Harker/Rafferty). The melody was recorded by fiddler Paddy Cronin, piper Patsy Tuohy, and flute player Joe McKenna (the latter called it "[[Streams in the Valley]]"). The Cape Breton setting was popularized by the late Donald Angus Beaton, however it is clear from the transcriptions of his settings that he played the tune with parts in reverse order from those printed in O'Neill's '''Music of Ireland''' (1903). Dunlay and Greenberg (1996) note that Cape Breton fiddler John Campbell also played the tune with parts reversed from O'Neill's. There is another setting in Breathnach's CRÉ II, No. 170. "London Lasses" is often paired in a medley with "[[Galway Rambler (The)]]," perhaps in imitation of the 1937 recording by the Aughrim Slopes Ceili Band in Dublin. The "[[Flying Column (2) (The)]]" tune family has similarities to this melody.
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