Annotation:Miss Daly's Jig: Difference between revisions

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We do not know exactly who "Miss Daly" is, but there was a renowned American actress, singer and dancer named Julia Daly [http://books.google.com/books?id=GXoZAAAAYAAJ&pg=PA201&lpg=PA201&dq=%22miss+daly%22+dancer+america+stage&source=bl&ots=gFR_HBeXbg&sig=td2zKTOropP9V4xs5JxtHTt7edE&hl=en&sa=X&ei=1yjLUKbKN4rE0AGS2YHIAw&ved=0CDcQ6AEwAQ#v=onepage&q=%22miss%20daly%22%20dancer%20america%20stage&f=false], who also garnered fame abroad. She also was a songwriter.  
We do not know exactly who "Miss Daly" is, but there was a renowned American actress, singer and dancer named Julia Daly [http://books.google.com/books?id=GXoZAAAAYAAJ&pg=PA201&lpg=PA201&dq=%22miss+daly%22+dancer+america+stage&source=bl&ots=gFR_HBeXbg&sig=td2zKTOropP9V4xs5JxtHTt7edE&hl=en&sa=X&ei=1yjLUKbKN4rE0AGS2YHIAw&ved=0CDcQ6AEwAQ#v=onepage&q=%22miss%20daly%22%20dancer%20america%20stage&f=false], who also garnered fame abroad. Known for both comic and dramatic roles, she was also a songwriter.  
<[[File:missdaly.jpg|200px|thumb|left|Miss Julia Daly]]
<[[File:missdaly.jpg|200px|thumb|left|Miss Julia Daly]]
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Revision as of 15:52, 14 December 2012

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MISS DALY'S 'JIG'. American, Dance Tune (cut time). A Minor ('A' part), C Major ('B' part) & F major ('C' part). Standard tuning (fiddle). ABCC. The word 'jig' in the title here refers to a type of syncopated 19th century old-time banjo tune rather than the familiar Irish jig in 6/8 time. 'Jig' dancing was a term for a solo step dance, perhaps imported from England. The term may also have had derogatory associations with African Americans, or may have been descriptive of the movements of the dance.

We do not know exactly who "Miss Daly" is, but there was a renowned American actress, singer and dancer named Julia Daly [1], who also garnered fame abroad. Known for both comic and dramatic roles, she was also a songwriter. <

Miss Julia Daly



Source for notated version:

Printed sources: Cole (1000 Fiddle Tunes), 1940; p. 84. Ryan’s Mammoth Collection, 1883; p. 116.

Recorded sources:




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