Annotation:Madam Frederick: Difference between revisions

Revision as of 03:26, 6 April 2013

MADAM(E) FREDERICK. AKA and see "Miss Rose Blackhall's Strathspey," "Recovery (2) (The)," "Royal Recovery (The)." Scottish, Strathspey ("Slow when not danced"). A Major. Standard tuning (fiddle). AB. Composed by Biography:William Marshall (1748-1833), and named after a celebrated dancer of the Edinburgh Opera House who often danced at Gordon Castle, where Marshall was employed. Marshall's first title for the melody was "Recovery (The)," but because it was Madam Frederick's favorite tune to dance to, he later changed the title in her honor. Emmerson (1972) records that the danseuse was appearing at the Edinburgh Theatre Royal in 1797 dancing to one of Marshall's strathspeys, and suggests that it was the one later called after her. It was first published by Gow in 1791 (in the 2nd Repository), with no credit to Marshall, and appears first as "Madam Frederick" in Abraham Mackintosh's 2nd Collection. In Robert Petrie's 2nd Collection it appears under the title "Miss Rose Blackhall's Strathspey."

Source for notated version:

Printed sources: Hardie (Caledonian Companion), 1986; p. 28. Henderson (Flowers of Scottish Melody), 1935. Hunter (Fiddle Music of Scotland), 1988; No. 136. Marshall, Fiddlecase Edition, 1978; 1822 Collection, p. 15. Martin (Traditional Scottish Fiddling), 2002; p. 143. MacDonald (The Skye Collection), 1887; p. 29.

Recorded sources: Christine Martin (2002) notes the tune is a popular competition piece among Scottish fiddlers. Greentrax CDTRAX 9009, Hector MacAndrew (1903-1980) - "Scottish Tradition 9: The Fiddler and his Art" (1993). "James F. Dickie's Delights" (1976).

Back to Madam Frederick

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-'''MADAM(E) FREDERICK.''' AKA and see "[[Miss Rose Blackhall]]," "[[Recovery (2) (The)]]," "[[Royal Recovery (The)]]." Scottish, Strathspey ("Slow when not danced"). A Major. Standard tuning (fiddle). AB. Composed by [[Biography:William Marshall]] (1748-1833), and named after a celebrated dancer of the Edinburgh Opera House who often danced at Gordon Castle, where Marshall was employed. Marshall's first title for the melody was "[[Recovery (The)]]," but because it was Madam Frederick's favorite tune to dance to, he later changed the title in her honor. Emmerson (1972) records that the danseuse was appearing at the Edinburgh Theatre Royal in 1797 dancing to one of Marshall's strathspeys, and suggests that it was the one later called after her. It was first published by Gow in 1791 (in the '''2nd Repository'''), with no credit to Marshall, and appears first as "Madam Frederick" in Abraham Mackintosh's '''2nd Collection'''. In Robert Petrie's '''2nd Collection''' it appears under the title "[[Miss Rose Blackhall]]."
+'''MADAM(E) FREDERICK.''' AKA and see "[[Miss Rose Blackhall's Strathspey]]," "[[Recovery (2) (The)]]," "[[Royal Recovery (The)]]." Scottish, Strathspey ("Slow when not danced"). A Major. Standard tuning (fiddle). AB. Composed by [[Biography:William Marshall]] (1748-1833), and named after a celebrated dancer of the Edinburgh Opera House who often danced at Gordon Castle, where Marshall was employed. Marshall's first title for the melody was "[[Recovery (The)]]," but because it was Madam Frederick's favorite tune to dance to, he later changed the title in her honor. Emmerson (1972) records that the danseuse was appearing at the Edinburgh Theatre Royal in 1797 dancing to one of Marshall's strathspeys, and suggests that it was the one later called after her. It was first published by Gow in 1791 (in the '''2nd Repository'''), with no credit to Marshall, and appears first as "Madam Frederick" in Abraham Mackintosh's '''2nd Collection'''. In Robert Petrie's '''2nd Collection''' it appears under the title "[[Miss Rose Blackhall's Strathspey]]."
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