Crockett's Honeymoon: Difference between revisions

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Theme code Index	3316L 1355
Also known as	Crockett's Wedding, George Ainley's Tune, Honeymoon Reel (1), Honeymoon Reel (2) (The), Maid Who Left the Mountains (The)
Composer/Core Source
Region	United States
Genre/Style	Old-Time
Meter/Rhythm	Reel (single/double)
Key/Tonic of	G
Accidental	1 sharp
Mode	Ionian (Major)
Time signature	4/4
History
Structure	AA'BB'
Editor/Compiler	Biography:Stacy Phillips
Book/Manuscript title	Book:Traditional American Fiddle Tunes vol. 1
Tune and/or Page number	p. 62
Year of publication/Date of MS	1994
Artist	Biography:Crockett's Kentucky Mountaineers
Title of recording	Medley of Old Time Dance Tunes
Record label/Catalogue nr.	Brunswick 291 (78 RPM)
Year recorded	1928
Media
Score ()

CROCKETT'S HONEYMOON. AKA - "George Ainley's Tune." AKA and see "Honeymoon Reel (1)," "Maid Who Left the Mountains (The)." Old-Time, Breakdown. G Major. Standard tuning (fiddle). AABB (Songer): AA'BB' (Phillips). The name "Crockett's Honeymoon" (or, sometimes, "Crockett's Wedding") appears to have originated in the 1970's, attached (perhaps by George Ainley) to an untitled tune contained in a medley on a 1920's recording by Crockett's Kentucky Mountaineers. The alternate title "George Ainley's Tune" comes from the recording by the Fat Meat Boys. A similar American tune is "Maid Who Left the Mountains (The)," which may be the original ancestor to these variants. It has a similar to the Irish reel called "Maid Who Left the Country (1) (The)", which has itself has a cognate tune entitled "Honeymoon (The)". "Honeymoon (The)" was printed as long ago as 1883 in the Boston, Massachusetts, publication Ryan's Mammoth Collection.

Sources for notated versions: Ruthie Dornfeld (Seattle, Washington) [Phillips]; Ron Andrico (Portland, Oregon) [Songer].

Printed sources: Phillips (Traditional American Fiddle Tunes), vol 1, 1994; p. 62. Songer (Portland Collection), 1997; p. 56.

Recorded sources: Brunswick 291 (78 RPM), Crockett's Kentucky Mountaineers - "Medley of Old Time Dance Tunes." Rounder CD 0397, Scott Nygaard - "Dreamer's Waltz" (1996). Varrick VR-038, Yankee Ingenuity - "Heatin' Up the Hall" (1989).

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-'''CROCKETT'S HONEYMOON'''. AKA - "[[George Ainley's Tune]]." AKA and see "[[Honeymoon Reel (1)]]," "[[Maid Who Left the Mountains (The)]]." Old-Time, Breakdown. G Major. Standard tuning (fiddle). AABB (Songer): AA'BB' (Phillips). The name "Crockett's Honeymoon" (or, sometimes, "Crockett's Wedding") appears to have originated in the 1970's, attached (perhaps by George Ainley) to an untitled tune contained in a medley on a 1920's recording by Crockett's Kentucky Mountaineers. The alternate title "[[George Ainley's Tune]]" comes from the recording by the Fat Meat Boys. A similar, and perhaps originally titled, American tune is "[[Maid Who Left the Mountains (The)]]." Under the title "[[Honeymoon (The)]]" it appears in the c. 1883 '''Ryan's Mammoth Collection'''.
+'''CROCKETT'S HONEYMOON'''. AKA - "[[George Ainley's Tune]]." AKA and see "[[Honeymoon Reel (1)]]," "[[Maid Who Left the Mountains (The)]]." Old-Time, Breakdown. G Major. Standard tuning (fiddle). AABB (Songer): AA'BB' (Phillips). The name "Crockett's Honeymoon" (or, sometimes, "Crockett's Wedding") appears to have originated in the 1970's, attached (perhaps by George Ainley) to an untitled tune contained in a medley on a 1920's recording by Crockett's Kentucky Mountaineers. The alternate title "[[George Ainley's Tune]]" comes from the recording by the Fat Meat Boys. A similar American tune is "[[Maid Who Left the Mountains (The)]]," which may be the original ancestor to these variants. It has a similar to the Irish reel called "Maid Who Left the Country (1) (The)", which has itself has a cognate tune entitled "[[Honeymoon (The)]]".  "Honeymoon (The)" was printed as long ago as 1883 in the Boston, Massachusetts, publication '''Ryan's Mammoth Collection'''.
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