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'''MAID OF GLENCONNEL, THE.''' Scottish, English; Waltz. Air, March. D Major. Standard tuning (fiddle). AB.  
'''MAID OF GLENCONNEL, THE.''' Scottish, English; Waltz. Air, March. D Major. Standard tuning (fiddle). AB.  
[[File:glenconnel.jpg|200px|thumb|left|The sheet music cover for Maid of Glenconnel]]
[[File:glenconnel.jpg|200px|thumb|left|A sheet music cover for Maid of Glenconnel]]
The melody was originally the air to a song, composer unknown, which tells of the betrayal of a lass ("The pearl of the fountain, the rose of the valley") by a faithless lover, and warns others to beware. The lyric begins:
The melody was originally the air to a song, composer unknown, which tells of the betrayal of a lass ("The pearl of the fountain, the rose of the valley") by a faithless lover, and warns others to beware. The lyric begins:
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Revision as of 04:18, 2 May 2013

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MAID OF GLENCONNEL, THE. Scottish, English; Waltz. Air, March. D Major. Standard tuning (fiddle). AB.

File:Glenconnel.jpg
A sheet music cover for Maid of Glenconnel

The melody was originally the air to a song, composer unknown, which tells of the betrayal of a lass ("The pearl of the fountain, the rose of the valley") by a faithless lover, and warns others to beware. The lyric begins:

The air was adapted for several musical purposes. It appears as the first figure of "The Mid Lothians" a set of traditional Scottish tunes selected by J. S. Pollock (advertised as a "Professor of Dancing, late of Paris"), with the tunes arranged by R. W. Evans and new quadrille figures (given in French and English) choreographed by Pollock. The quadrille was published in London in the early 1820's.

According to David Murray (Music of the Scottish Regiments, Edinburgh, 1994, pp. 208-209), the melody was employed by the 54th Regiment of the British army as their 'march past'. The 54th had been raised in 1755 by John Campbell of Mamore, later 4th Duke of Argyll, who made his reputation with the Argyll Militia fighting against the Jacobites in the rising of 1745. He was affectionately known as "Colonel John" to the troops, and the affection was passed along to his wife. Her favourite song was "The Maid of Glenconnel," a melody which was often played by the 54th band, so much so that the tune became associated with the regiment and was adopted as their distinguishing march. Although the 54th has long been amalgamated into other units (with the 39th in 1881 as the Dorset Regiment, and again in 1958 with the Devonshire Regiment), "Maid of Glenconnel" survives as the regimental march past (paired with "Widdecombe Fair" in modern times as the march of the Devon and Dorset Regiment).

Source for notated version:

Printed sources: Kennedy (Fiddler's Tune Book), vol. 2, 1954; p. 29. Raven (English Country Dance Tunes), 1984; p. 136.

Recorded sources:




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