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'''LIFE ON THE OCEAN WAVE, A.''' AKA - "Ocean Waves." AKA and see "[[Over the Ocean Waves]]," "[[After the Ball is Over]]." English (originally), American; Song Tune, March, Waltz and Quadrille. USA; very widely known. C Major (): G Major (Begin). Standard tuning (fiddle). One part (Begin): ABB. Composed by Henry Russell [http://en.wikipedia.org/wiki/Henry_Russell_%28musician%29] (1813-1900) in 1838, with words by Epps Sargeant, after the two had strolled along The Battery in New York harbor and watched the ships come in. The title comes from the opening words to the song. The melody is the regimental march of the Royal Marines (Winstock, 1970), and, in the United States, it is the official march of the U.S. Merchant Marine Academy. In southwestern Pennsylvania it was played as both a waltz and a quadrille, the first strain remaining the most intact (Bayard, 1981). Mark Wilson (liner notes to Rounder 0529) explains the term 'quadrille' was applied to 6/8 tunes in America, "although they can properly represent only fragments of a true, multi-parted quadrille. The specialized employment of the term 'jig' for a piece in 6/8 is of fairly recent vintage (although the term itself is ancient) and, in any case, the Midwestern 'quadrilles' are not phrased in conventional jig time." The tune title appears in a list of traditional Ozark Mountain fiddle tunes compiled by musicologist/folklorist Vance Randolph, published in 1954. The melody was adapted as a 'singing call' for square dances, beginning "First two ladies/gents cross over," widely known in the United States, which Paul Gifford dates to the 1880's. "[[Way to Judique]]" is a related tune. | '''LIFE ON THE OCEAN WAVE, A.''' AKA - "Ocean Waves." AKA and see "[[Over the Ocean Waves]]," "[[After the Ball is Over]]." English (originally), American; Song Tune, March, Waltz and Quadrille. USA; very widely known. C Major (): G Major (Begin). Standard tuning (fiddle). One part (Begin): ABB. Composed by Henry Russell [http://en.wikipedia.org/wiki/Henry_Russell_%28musician%29] (1813-1900) in 1838, with words by Epps Sargeant, after the two had strolled along The Battery in New York harbor and watched the ships come in. The title comes from the opening words to the song. The melody is the regimental march of the Royal Marines (Winstock, 1970), and, in the United States, it is the official march of the U.S. Merchant Marine Academy. In southwestern Pennsylvania it was played as both a waltz and a quadrille, the first strain remaining the most intact (Bayard, 1981). Mark Wilson (liner notes to Rounder 0529) explains the term 'quadrille' was applied to 6/8 tunes in America, "although they can properly represent only fragments of a true, multi-parted quadrille. The specialized employment of the term 'jig' for a piece in 6/8 is of fairly recent vintage (although the term itself is ancient) and, in any case, the Midwestern 'quadrilles' are not phrased in conventional jig time." The tune title appears in a list of traditional Ozark Mountain fiddle tunes compiled by musicologist/folklorist Vance Randolph, published in 1954. The melody was adapted as a 'singing call' for square dances, beginning "First two ladies/gents cross over," widely known in the United States, which Paul Gifford dates to the 1880's. "[[Way to Judique]]" is a related tune. | ||
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[[File:henryrussell.jpg|200px|thumb|left|Henry Russell]] | [[File:henryrussell.jpg|200px|thumb|left|Henry Russell]] | ||
A version of the tune appears as "A Life by de Galley Fire" by Gumbo Chaff - The Complete Preceptor for the Banjo (1851, p. 12) | |||
N: A later edition of the earliest known banjo tutor, published in 1848. It was written by Elias Howe, whose pseudonym Gumbo Chaff | |||
N:is taken from Thomas Dartmouth Rice's 1834 blackface character. The 1851 edition was published in Boston by Oliver Ditson. | |||
N:In 1850 Howe sold some of his works to Ditson (this one among them) and agreed not to publish similar works for ten years. | |||
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Revision as of 23:34, 10 May 2013
Back to Life on the Ocean Wave
LIFE ON THE OCEAN WAVE, A. AKA - "Ocean Waves." AKA and see "Over the Ocean Waves," "After the Ball is Over." English (originally), American; Song Tune, March, Waltz and Quadrille. USA; very widely known. C Major (): G Major (Begin). Standard tuning (fiddle). One part (Begin): ABB. Composed by Henry Russell [1] (1813-1900) in 1838, with words by Epps Sargeant, after the two had strolled along The Battery in New York harbor and watched the ships come in. The title comes from the opening words to the song. The melody is the regimental march of the Royal Marines (Winstock, 1970), and, in the United States, it is the official march of the U.S. Merchant Marine Academy. In southwestern Pennsylvania it was played as both a waltz and a quadrille, the first strain remaining the most intact (Bayard, 1981). Mark Wilson (liner notes to Rounder 0529) explains the term 'quadrille' was applied to 6/8 tunes in America, "although they can properly represent only fragments of a true, multi-parted quadrille. The specialized employment of the term 'jig' for a piece in 6/8 is of fairly recent vintage (although the term itself is ancient) and, in any case, the Midwestern 'quadrilles' are not phrased in conventional jig time." The tune title appears in a list of traditional Ozark Mountain fiddle tunes compiled by musicologist/folklorist Vance Randolph, published in 1954. The melody was adapted as a 'singing call' for square dances, beginning "First two ladies/gents cross over," widely known in the United States, which Paul Gifford dates to the 1880's. "Way to Judique" is a related tune.
A version of the tune appears as "A Life by de Galley Fire" by Gumbo Chaff - The Complete Preceptor for the Banjo (1851, p. 12)
N: A later edition of the earliest known banjo tutor, published in 1848. It was written by Elias Howe, whose pseudonym Gumbo Chaff
N:is taken from Thomas Dartmouth Rice's 1834 blackface character. The 1851 edition was published in Boston by Oliver Ditson.
N:In 1850 Howe sold some of his works to Ditson (this one among them) and agreed not to publish similar works for ten years.
Sources for notated versions: Bradley Grimshaw (northern N.Y., 1958), Harmon McCullough (Indiana County, Pa., 1959), Fred Miller & Glenn Gelnette (Jefferson County, Pa., 1949), Harry Waugh (elderly fiddler from Jefferson County, Pa., 1949) [Bayard]; Art Coss (Woodland Valley, Catskill Mtns., New York) [Cazden]; fiddler Dawson Girdwood (Perth, Ottawa Valley, Ontario) [Begin].
Printed sources: Adam, 1928; No. 30. Bayard (Dance to the Fiddle), 1981; No. 637A-C, pgs. 561-562. Begin (Fiddle Music from the Ottawa Valley), 1985; No. 77, pg. 86. Cazden (Dances from Woodland), 1945; p. 8. Cazden, 1955; p. 32. Ford (Traditional Music in America), 1940; p. 33. Jarman, (Old Time Fiddlin' Tunes), 1951; No. or p. 9. Kerr (Merry Melodies), vol. 1; p. 28. Shaw (Cowboy Dances), 1943; p. 380. Williamson (English, Welsh, Scottish and Irish Fiddle Tunes), 1976; p. 68.
Recorded sources: Rounder 0529, Dwight Lamb - "Hell Agin the Barn Door" (2005. Appears as "Over the Ocean Waves Quadrille"). Learned by Dwight's father, a fiddler named Clarence, from a friend, Bill Gray).
See also listing at:
Jane Keefer's Folk Music Index: An Index to Recorded Sources [2]