Ballina Lass: Difference between revisions
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g2bg dgbg|g/a/gbg eaaf|g2bg efge|dega bggf| | g2bg dgbg|g/a/gbg eaaf|g2bg efge|dega bggf| | ||
g2bg dgbg|g/a/gbg agab|g/a/g f/g/f e/f/e dB|dega bage|| | g2bg dgbg|g/a/gbg agab|g/a/g f/g/f e/f/e dB|dega bage|| | ||
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<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
'''BALLINA LASS'''. AKA- "Ballina Lasses." AKA and see "[[Come Up in the Room I Want You]]," "[[Paddy's Gone to France]]," Irish, Reel. G Major. Standard tuning. AB. "Ballina Lasses" was the title used by Sligo fiddler Paddy Killoran and His Pride of Erin Orchestra when he recorded the melody in New York in the 78 RPM era. The reel is related in its first strain with "[[Over the Moor to Peggy]]." | '''BALLINA LASS'''. AKA- "Ballina Lasses." AKA and see "[[Come Up in the Room I Want You]]," "[[Paddy's Gone to France]]," Irish, Reel. G Major. Standard tuning (fiddle). AB. "Ballina Lasses" was the title used by Sligo fiddler Paddy Killoran and His Pride of Erin Orchestra when he recorded the melody in New York in the 78 RPM era. The reel is related in its first strain with "[[Over the Moor to Peggy]]." | ||
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Revision as of 04:05, 11 May 2013
X:1 T:Ballina Lass(es) M:C| L: 1/8 R: reel K: G d2BG DGBd|egdg eage|d2BG DGBd|e/g/edc BGBc| d2BG DGBd|egdg eage|d2BG DGBd|e/g/edc BGBd|| g2bg dgbg|g/a/gbg eaaf|g2bg efge|dega bggf| g2bg dgbg|g/a/gbg agab|g/a/g f/g/f e/f/e dB|dega bage||
BALLINA LASS. AKA- "Ballina Lasses." AKA and see "Come Up in the Room I Want You," "Paddy's Gone to France," Irish, Reel. G Major. Standard tuning (fiddle). AB. "Ballina Lasses" was the title used by Sligo fiddler Paddy Killoran and His Pride of Erin Orchestra when he recorded the melody in New York in the 78 RPM era. The reel is related in its first strain with "Over the Moor to Peggy."
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