March in Rinaldo: Difference between revisions

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B6 |]
B6 |]
w:Gold.
w:Gold.
Our assailant did, however, unhitch one of the team of horses, which he took with him. While the animal might not be broken to saddle, and difficult to ride, it still represents a considerable loss to the coaching company. The shortfall in the team means that any further progress will be painfully slow, and some of us will have to continue on foot, alongside the coach. And I will probably have to explain to my director the loss of a couple of items of antique jewelry, which cannot be replaced. The music, which I thought would be appropriate to this little adventure, is from the Beggar's Opera by John Gay, produced by John Rich, which as one wag put it, made Gay rich, and Rich gay After I got back here a little research suggested that the most likely identity for our assailant would be "Captain" King, so called because of his delightfully gallant manners! To convert the code above to sheet music, or listen to the tunes, copy the code for a single song, then paste it here and [submit].
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Revision as of 02:50, 17 July 2013


March in Rinaldo  Click on the tune title to see or modify March in Rinaldo's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:March in Rinaldo
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 Theme code Index    5555 5551H
 Also known as    Marlborough March
 Composer/Core Source    Biography:Georg Friedrich Handel
 Region    England
 Genre/Style    English
 Meter/Rhythm    Air/Lament/Listening Piece, March/Marche
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/2
 History    
 Structure    AABB
 Editor/Compiler    Biography:John Gay
 Book/Manuscript title    Book:The Beggar's Opera
 Tune and/or Page number    Air 20, act II
 Year of publication/Date of MS    1729
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   



X: 1
T:March in Rinaldo. BC.34
T:Malborough March,aka. BC.34
M:C|
L:1/8
Q:1/2=110
C:G.F.Handel
S:Benjamin Cooke MS.circa 1770, F.Kidson Coll.
R:.March
O:England
A:Uncertain, probably northern
Z:vmp.John Bagnall
K:D
FG|A4 A4|A6 de|fefg f2 f2|f4 a4|!
fefg f2 f2|f4 a4|f2 ef gfed|e6:|!
|:cd|e4 e4|e6 a2|ABcd e2 f2|g4 a4|!
f2 ef gfed|e2 A2 a3 g|f2 fagf e>d|d6:|
W:Almost identical to BC.36
X: 1
T:Air XX, March in Rinaldo with Drums and Trumpets % title
T:Adapted by John Gay for The Beggar's Opera
C: % composer
O:http://www.gutenberg.org/files/25063/25063-h/music/air_XX.pdf % origin.
M:C % meter
L:1/8 % length of shortest note
Q: % tempo
K:Bb % key
V:1 % voice 1
z2 z2 DE | F4 F4 | F6 Bc | dcde d2 d2 |
w:Let us take the Road. Hark! I hear the Sound of Coach-es!
d4 f4 | dcde d2 d2 | d4 f3 e | e2 cd edcB |
w:The Hou-r of At-tack ap-proach-es, To your Arms, bra-ve Boy-s an-d
c6 || AB | c4 c4 | !trill! c6 f2 | FGAB c2 d2 |
w:load. See the Ball I hold! Let the Chy-mists toil like Ass-
e4 f3 e | d2 cd edcB | c2 F2 f3 e | dcBc !trill! c3 B |
w:es, Our Fire their Fi-re sur--pas--ses And turns all our Lead__ to_
B6 |]
w:Gold.

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