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''Printed sources'': Barnes ('''English Country Dance Tunes, vol. 2'''), 2005; p. 82. Mellor ('''Welsh Dance Tunes'''), 1935; p. 21. Walsh ('''Caledonian Country Dances, Book 2'''), c. 1745; p. 38.  
''Printed sources'': Barnes ('''English Country Dance Tunes, vol. 2'''), 2005; p. 82. Mellor ('''Welsh Dance Tunes'''), 1935; p. 21. Walsh ('''Caledonian Country Dances, Book 2'''), c. 1745; p. 38. Wright ('''Aria di Camera'''), c. 1727; No. 48.  
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Revision as of 13:35, 21 September 2013

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MEILLIONEN. AKA and see "Sir Watkin's Delight." Welsh, Country Dance Tune (4/4 time). D Major (Mellor, Walsh): C Major (Barnes). Standard tuning (fiddle). AB (Mellor): AABB (Barnes). The title (pronounced 'methlionen') is the Welsh name for clover. Mellor (1935) states the air appears in many early English, Scotch and Welsh collections of dance music, "usually with two or three extra bars in the second part," which he unfortunately deletes so as to make "regular" eight bar parts. He believes, however, the tune is certainly very old and probably has a good claim to a Welsh origin. Perhaps the first printing of the tune is in Daniel Wright's Aria di Camera (c. 1727, as "Meillionen, or Sir Watkin's delight"), followed by several occurrences in country dance books of about 1735-40, including Walsh's Third Book of the Compleat Country Dancing Master (London, 1735, reissued in 1749) and Johnson's Wright's Compleat Collection of Celebrated Country Dances, vol. 2 (London, 1742). A somewhat later volume in which this tune appears is John Walsh's Caledonian Country Dances, Book 3 (London, c. 1745), wherein a country dance set to it that incorporates a clapping routine between partners. There are similarities between "Meillionen" and John Playford's "Row well ye mariners" from the English Dancing Master (1651).

Source for notated version:

Printed sources: Barnes (English Country Dance Tunes, vol. 2), 2005; p. 82. Mellor (Welsh Dance Tunes), 1935; p. 21. Walsh (Caledonian Country Dances, Book 2), c. 1745; p. 38. Wright (Aria di Camera), c. 1727; No. 48.

Recorded sources:




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