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'''IN THE FIELDS IN FROST AND SNOW'''. English, Country Dance Tune (2/2 time). D Minor. Standard tuning (fiddle). AABB. The melody dates to 1710, when it was first published in the '''Second Volume of the Dancing Master''', first edition, issued by John Young in London. It appears in subsequent volumes of the work (1714, 1718, 1728). The melody proved popular and was picked up by the Walshes for the '''Second Book of the Compleat Country Dancing-Master''' (London, 1719 and 1754), and Thomas D'Urfey for '''Wit and Mirth, or Pills to Purge Melancholy''', vol. 2 (1719). It was employed as the vehicle for a number of songs in ballad operas, including '''Polly''' (1729), '''The Lover's Opera''' (1729), '''The Stage-Mutineers, or a Playhouse to Be Let''' (1733), '''Sancho at Court, or the Mock Governor''' (1742), and '''The Love and Revenge: or, The Vintner Outwitted''' (1781). | '''IN THE FIELDS IN FROST AND SNOW'''. English, Country Dance Tune (2/2 time). D Minor. Standard tuning (fiddle). AABB. The melody dates to 1710, when it was first published in the '''Second Volume of the Dancing Master''', first edition, issued by John Young in London. It appears in subsequent volumes of the work (1714, 1718, 1728). The melody proved popular and was picked up by the Walshes for the '''Second Book of the Compleat Country Dancing-Master''' (London, 1719 and 1754), and Thomas D'Urfey for '''Wit and Mirth, or Pills to Purge Melancholy''', vol. 2 (1719). It was employed as the vehicle for a number of songs in ballad operas, including '''Polly''' (1729), '''The Lover's Opera''' (1729), '''The Stage-Mutineers, or a Playhouse to Be Let''' (1733), '''Sancho at Court, or the Mock Governor''' (1742), and '''The Love and Revenge: or, The Vintner Outwitted''' (1781), and it was printed on numerous song-sheets. | ||
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Revision as of 03:45, 10 November 2013
Back to In the Fields in Frost and Snow
IN THE FIELDS IN FROST AND SNOW. English, Country Dance Tune (2/2 time). D Minor. Standard tuning (fiddle). AABB. The melody dates to 1710, when it was first published in the Second Volume of the Dancing Master, first edition, issued by John Young in London. It appears in subsequent volumes of the work (1714, 1718, 1728). The melody proved popular and was picked up by the Walshes for the Second Book of the Compleat Country Dancing-Master (London, 1719 and 1754), and Thomas D'Urfey for Wit and Mirth, or Pills to Purge Melancholy, vol. 2 (1719). It was employed as the vehicle for a number of songs in ballad operas, including Polly (1729), The Lover's Opera (1729), The Stage-Mutineers, or a Playhouse to Be Let (1733), Sancho at Court, or the Mock Governor (1742), and The Love and Revenge: or, The Vintner Outwitted (1781), and it was printed on numerous song-sheets.
The song is said to be the precursor to the favorite and familiar children's song, "Old MacDonald Had a Farm." While the melody is dissimilar, there is a rhythmic similarity in the chorus, and the lyric (as printed by Tom D'Urfey in 1719) is decidedly similar. The first two stanzas go:
In the fields in frost and snows,
Watching late and early;
There I keep my father's cows,
There I milk 'em yearly:
Booing here, booing there,
Here a boo, there a boo, everywhere a boo,
We defy all care and strife,
In a charming country life.
Then at home amongst the fowls,
Watching late and early;
There I tend my father's owls,
There I feed 'em yearly:
Whooing here, whooing there,
Here a whoo, there a whoo, everywhere a whoo,
We defy all care and strife,
In a charming country life.
Source for notated version:
Printed sources: Barnes (English Country Dance Tunes), 1986.
Recorded sources: Boxwood Records, Chris Norman Ensemble - "In the Fields of Frost and Snow" (2008)