Annotation:Hell Broke Loose in Georgia (2): Difference between revisions
No edit summary |
No edit summary |
||
Line 2: | Line 2: | ||
---- | ---- | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
'''HELL BROKE LOOSE IN GEORGIA [2?]'''. American, Reel. USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard (1981) identifies this tune as a composite with an 'A' part from British Isles tradition, attached to a 'B' part newly composed. The 'A' part appears to be the Scottish "[[My Ain Kind Dearie]]," which can be traced to the 1760's; the tune is also known as "[[Christmas Eve (1)]]," and the march sets "[[Our President]]," "[[Here's a health | '''HELL BROKE LOOSE IN GEORGIA [2?]'''. American, Reel. USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard (1981) identifies this tune as a composite with an 'A' part from British Isles tradition, attached to a 'B' part newly composed. The 'A' part appears to be the Scottish "[[My Ain Kind Dearie]]," which can be traced to the 1760's; the tune is also known as "[[Christmas Eve (1)]]," and the march sets "[[Our President]]," "[[Here's a health to our leader]]," and "[[Fearless Boys (The)]]" {Bayard also links these tunes to "[[Oh! Lassie Art Thou Sleeping Yet]]," and suggests they are all part of a "moderate sized tune family of perhaps some respectable antiquity" i.e. they are descended from some unknown original single air}. | ||
<br> | <br> | ||
<br> | <br> |
Revision as of 03:29, 8 April 2014
Back to Hell Broke Loose in Georgia (2)
HELL BROKE LOOSE IN GEORGIA [2?]. American, Reel. USA, southwestern Pa. G Major. Standard tuning (fiddle). AB. Bayard (1981) identifies this tune as a composite with an 'A' part from British Isles tradition, attached to a 'B' part newly composed. The 'A' part appears to be the Scottish "My Ain Kind Dearie," which can be traced to the 1760's; the tune is also known as "Christmas Eve (1)," and the march sets "Our President," "Here's a health to our leader," and "Fearless Boys (The)" {Bayard also links these tunes to "Oh! Lassie Art Thou Sleeping Yet," and suggests they are all part of a "moderate sized tune family of perhaps some respectable antiquity" i.e. they are descended from some unknown original single air}.
Source for notated version: Abraham Gray (Westmoreland County, Pa., 1930's) [Bayard].
Printed sources: Bayard (Dance to the Fiddle), 1981; No. 106, p. 61.
Recorded sources: