Bonny Gray-Eyed Morn: Difference between revisions

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'''BONNY GRAY-EYED MORN, THE'''. "[[Jockey Rous'd with Love]]," "The [[Bonny Grey-Eyed Morn Begins to Peep]]." English, Air (whole or 2/2 time). B Flat Major. Standard tuning (fiddle). AB. Chappell (1859) asserts the Scots appropriated "The Bonny Grey-eyed Morn" or "Jockey rous'd with love," composed by Jeremiah Clark, for their tune, but that it was English in origin. He says Clarke's composition was sung in D'Urfey's comedy '''The Fond Husband, or The Plotting Sisters''' (1676). Henry Playford published it in his '''Dancing Master''', Part II, 2nd Edition (1698) and in all subsequent editions until the demise of the series in 1728. John Walsh published it in his '''Compleat Country Dancing Master''' (London, 1718). Kidson (1922) identifies it as an Anglo-Scotch song, the music being perhaps composed by Jeremiah Clark. Stenhouse doubted that Clark(e) composed the melody, and '''Grove's Dictionary''' gives dates for Clarke that would make him only six or seven years old when '''The Fond Husband''' was produced.  Oswald included it in the collection of Scottish Tunes, calling it "The Old Gray-ey'd morning." A version also appeared in Oswald's seventh book of  '''The Caledonian Pocket Companion''' as "The Gray Ey'd morning" albeit in a different version of the tune, in 3/4 time. It also appears in D'Urfey's '''Pills to Purge Melancholy''', vol. III (1719), on half-sheet music, and in John Gay's '''The Beggar's Opera''' (1729) under the title "'Tis woman that seduces all mankind." It was a popular tune, much employed in ballad operas, and also appears in Cibber's '''Patie & Peggy''' (1730), '''The Jew Decoy'd''', or the '''Progress of a Harlot''' (1733), '''The Happy Lovers, or the Beau Metamorphos'd''' (1736), Ramsay's '''The Gentle Shepherd''', and others.
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''Printed sources:'' Barnes ('''English Country Dance Tunes''', vol. 2), 2005; p. 14. Raven ('''English Country Dance Tunes'''), 1984; p. 50.
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''Recorded source:'' Wildgoose Records, Belshazzar's Feast - "Mr. Kynaston's Famous Dance" (2000).
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X:1
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BAGF =E3C|FAGB Acdc|BAGF F3::c|cAcA F3f|fdfd B3d|
BAGF =E3C|FAGB Acdc|BAGF F3::c|cAcA F3f|fdfd B3d|
eGcA ^F3d|cBAG G3D|FABG e3d|dGcB A3F|Bdce dfgf|edcB B3:||
eGcA ^F3d|cBAG G3D|FABG e3d|dGcB A3F|Bdce dfgf|edcB B3:||
 
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X: 5
T: Bonny Grey-Ey'd Morn
R: reel
M: C|
L: 1/8
Z: 2011 John Chambers <jc:trillian.mit.edu>
B: Andrew Shaw "Mr Kynaston's Famous Dance" p.5
N: Longways for as many as will
P: Play AABB
K: Bb
%
"A"[|] F |\
"Bb"(BA)(Bc) d2(cB) | (de)f2 f3g | (fg)(fd) "Cm"(ed)(cB) | "F"(AB)(cd) c3d |
"Cm"(ed)(cB) "F"A3A | "Gm"(BA)(GF) "C"=E3C | "F"(FA)"C"(GB) "F"(Ac)"Bb"(dc) "C"(BA)(GF) "F"F3 :|
"B"|: c |\
"F"(cA)(cA) F3f | "Bb"(fd)(fd) "Gm"B3d | "Cm"(eG)(cA) "D"^F3d | "D"(cB)(AG) "Gm"G3D |
"F"(FA)"Gm"(BG) "Cm"e3d | "Gm"(dG)(cB) "F"A3F | "Bb"(Bd)"F"(ce) "Gb"(df)"Eb"(gf) | "F"(ed)(cB) "Bb"B3 :|
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=[[ANNOTATION:{{PAGENAME}}|Tune annotations]]=
'''© 1996-2010  Andrew Kuntz. All Rights Reserved.'''
 
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Engraver Valerio M. Pelliccioni
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Revision as of 02:55, 18 May 2014


Bonny Gray-Eyed Morn  Click on the tune title to see or modify Bonny Gray-Eyed Morn's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bonny Gray-Eyed Morn
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 Theme code Index    1132 3555
 Also known as    Bonny Grey-Eyed Morn Begins to Peep, Bonny Grey-Ey'd Morn, Jockey Rous'd with Love, Old Gray-Ey'd Morning (The), Tis Woman that Seduces all Mankind
 Composer/Core Source    
 Region    England
 Genre/Style    English
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    B
 Accidental    2 flats
 Mode    Ionian (Major)
 Time signature    4/4, 2/2
 History    
 Structure    AB
 Editor/Compiler    Biography:Michael Raven
 Book/Manuscript title    Book:English Country Dance Tunes
 Tune and/or Page number    p. 50
 Year of publication/Date of MS    1984
 Artist    Biography:Belshazzar's Feast
 Title of recording    Mr. Kynaston's Famous Dance
 Record label/Catalogue nr.    Wildgoose Records
 Year recorded    2000
 Media    
 Score   ()   


Tune annotations

X:1
T:Bonny Grey-Ey'd Morn
M:C
L:1/8
S:Beggar's Opera (1729)
K:B Flat Major
F|BABc d2cB|defg f3g|fgfd edcB|ABcd c3d|edcB A2A|
BAGF =E3C|FAGB Acdc|BAGF F3::c|cAcA F3f|fdfd B3d|
eGcA ^F3d|cBAG G3D|FABG e3d|dGcB A3F|Bdce dfgf|edcB B3:||

X: 5
T: Bonny Grey-Ey'd Morn
R: reel
M: C|
L: 1/8
Z: 2011 John Chambers <jc:trillian.mit.edu>
B: Andrew Shaw "Mr Kynaston's Famous Dance" p.5
N: Longways for as many as will
P: Play AABB
K: Bb
%
"A"[|] F |\
"Bb"(BA)(Bc) d2(cB) | (de)f2 f3g | (fg)(fd) "Cm"(ed)(cB) | "F"(AB)(cd) c3d |
"Cm"(ed)(cB) "F"A3A | "Gm"(BA)(GF) "C"=E3C | "F"(FA)"C"(GB) "F"(Ac)"Bb"(dc) "C"(BA)(GF) "F"F3 :|
"B"|: c |\
"F"(cA)(cA) F3f | "Bb"(fd)(fd) "Gm"B3d | "Cm"(eG)(cA) "D"^F3d | "D"(cB)(AG) "Gm"G3D |
"F"(FA)"Gm"(BG) "Cm"e3d | "Gm"(dG)(cB) "F"A3F | "Bb"(Bd)"F"(ce) "Gb"(df)"Eb"(gf) | "F"(ed)(cB) "Bb"B3 :|

Tune annotations

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