Annotation:Long Island Reel: Difference between revisions
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'''LONG ISLAND REEL.''' AKA and see "[[Green Mountain (2)]]." American, Reel. The composition is attributed to Clem Titus in Coe's 1875 publication '''Jigs and Reels.''' A few of Titus's tunes were also printed in '''Ryan's Mammoth Collection''' (1883). The tune is a member of (and perhaps precursor to) the tune family whose most prominent members are "[[Green Mountain (2)]]" and "[[Maid Behind the Bar (1) (The)]]." | '''LONG ISLAND REEL.''' AKA and see "[[Green Mountain (2)]]." American, Reel. The composition is attributed to Clem Titus in Coe's 1875 publication '''Jigs and Reels,''' whose full title is: '''Coe's Album of Jigs and Reels, something new, for professional and amateur violinists, leaders of orchestras, quadrille bands, and clog, reel and jig dancers; consisting of a Grand Collection of entirely New and Original Clog-Hornpipes, Reels, jigs, Scotch Reels, Irish Reels and Jigs, Waltzes, Walk-Arounds, etc.''' A few of Titus's tunes were also printed in '''Ryan's Mammoth Collection''' (1883). The tune is a member of (and perhaps precursor to) the tune family whose most prominent members are "[[Green Mountain (2)]]" and "[[Maid Behind the Bar (1) (The)]]." | ||
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Revision as of 03:27, 5 June 2014
Back to Long Island Reel
LONG ISLAND REEL. AKA and see "Green Mountain (2)." American, Reel. The composition is attributed to Clem Titus in Coe's 1875 publication Jigs and Reels, whose full title is: Coe's Album of Jigs and Reels, something new, for professional and amateur violinists, leaders of orchestras, quadrille bands, and clog, reel and jig dancers; consisting of a Grand Collection of entirely New and Original Clog-Hornpipes, Reels, jigs, Scotch Reels, Irish Reels and Jigs, Waltzes, Walk-Arounds, etc. A few of Titus's tunes were also printed in Ryan's Mammoth Collection (1883). The tune is a member of (and perhaps precursor to) the tune family whose most prominent members are "Green Mountain (2)" and "Maid Behind the Bar (1) (The)."
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