Annotation:Nos Galan: Difference between revisions
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'''NOS GALAN''' (New Year's Eve). Welsh, Air (2/4 time). F Major. Standard tuning (fiddle). AAB. This Welsh harp tune fist appears in John ("Blind Parry of Ruabon") Parry's (c. 1710-1782) '''Twelve Airs for One and Two Guitars''', 1781 edition (where it is an untitled air), followed by a printing in Edward Jones's '''Musical and Poetical Relicks of the Welsh Bards''' (1784, p. 159) who gave it the name "Nos Galan. | '''NOS GALAN''' (New Year's Eve). Welsh, Air (2/4 time). F Major. Standard tuning (fiddle). AAB. This Welsh harp tune fist appears in John ("Blind Parry of Ruabon") Parry's (c. 1710-1782) '''Twelve Airs for One and Two Guitars''', 1781 edition (where it is an untitled air), followed by a printing in Edward Jones's '''Musical and Poetical Relicks of the Welsh Bards''' (1784, p. 159) who gave it the name "Nos Galan," with a lyric in English and Welsh. It is ancestral or a precursor to the air for the familiar Christmas carol "Deck the Halls," but originally was a dance tune, the melody providing the musical vehicle for dancers who would circle around, improvising spontaneous lyrics (with the harp playing the tag melody that is now sung as "Fa-la-la-la-la". It was not until later, in the 19th century, that Welsh lyrics were added. | ||
[[File:parry.jpeg|200px|thumb|left|John Parry, painted by his son, William Parry (1742–1791)]] | [[File:parry.jpeg|200px|thumb|left|John Parry, painted by his son, William Parry (1742–1791)]] | ||
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Revision as of 22:24, 4 July 2014
Back to Nos Galan
NOS GALAN (New Year's Eve). Welsh, Air (2/4 time). F Major. Standard tuning (fiddle). AAB. This Welsh harp tune fist appears in John ("Blind Parry of Ruabon") Parry's (c. 1710-1782) Twelve Airs for One and Two Guitars, 1781 edition (where it is an untitled air), followed by a printing in Edward Jones's Musical and Poetical Relicks of the Welsh Bards (1784, p. 159) who gave it the name "Nos Galan," with a lyric in English and Welsh. It is ancestral or a precursor to the air for the familiar Christmas carol "Deck the Halls," but originally was a dance tune, the melody providing the musical vehicle for dancers who would circle around, improvising spontaneous lyrics (with the harp playing the tag melody that is now sung as "Fa-la-la-la-la". It was not until later, in the 19th century, that Welsh lyrics were added.
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